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Latin America through the Literary Looking-Glass, And What Bolaño Found There

100%

Stramskas A.

nr 1

51-74

This article provides a broad overview of social, economic, and cultural politics in Latin America, especially concentrating on what became known as the Latin American literary “boom” in the 1960s and 1970s, and the region’s political context - colonial past, neocolonial/neoliberal present, the role of intellectuals within the state and cultural affairs. The second part focuses on Roberto Bolaño - the writer who put Latin American literature on the world map which has not been seen since the boom years - and his novel The Savage Detectives. The aim of this article is to demonstrate that literature not only shares common elements and possible intentions with social and political critique, but that it can also be an effective form of social and political criticism. In such a case, Bolaño’s work may be read not as inferior fictional account but as a complex, intersectional investigation of socioeconomic as well as ontological condition in Latin America that other modes of inquiry may overlook.

Šis straipsnis plačiai apžvelgia socialinę, ekonominę ir kultūrinę politiką Lotynų Amerikoje, skiriant daug dėmesio septintojo ir aštuntojo dešimtmečio literatūrinio „bumo” fenomenui, bei regiono politiniam kontekstui - kolonijinei praeičiai, neokolinijinei/ neoliberaliai dabarčiai, intelektualų rolei valdžios ir kultūros sferose. Antroji straipsnio dalis koncentruojasi ties Roberto Bolaño (ir jo romanu Pašėlę detektyvai), rašytoju, kuris paženklino Lotynų Ameriką pasauliniame literatūros žemėlapyje mastu, panašiu į sėkmingiausius bumo pavyzdžius. Šio straipsnio tikslas yra parodyti, kad literatūra ne tik gali sietis bendrais elementais ir galimais tikslais su socialine ir politine kritika, bet kad ir gali būti efektyvi sociopolitinės kritikos forma. Tokiu atveju, Bolaño darbai gali būti perskaityti ne tik kaip antrarūšė fi kcija, bet kaip ir daugiasluoksnis tyrimas apie socioekenominę bei ontologinę Lotynų Amerikos būklę, kurios kiti tyrimo būdai gali ir neužčiuopti.

Refutación de nostalgia. Memoria y cuerpo en „El Tercer Reich y La parte de los crímenes de Roberto Bolaño”

99%

Trojanowski A.

tom 25

121-131

The aim of the article is to show that Roberto Bolaño reestablishes the continuity of the historical process in his prose, which contradicts the dominant postmodern tendency based on the aesthetics of nostalgia. The article analyzes the corporal construction of the protagonist of the novel El Tercer Reich. The analysis is based on the methodology of close reading and then comparative analysis, when it comes to put the results in the context of the representation of body in La parte de los crímenes. The construction of the body emphasizes its deformation and mutilation in order to make it a bearer of memory of the violence of the past. Bolaño’s reflection on history undermines the aesthetics of nostalgia due to ethical concerns related to the process of representation of the past. In his own narrative strategy he follows Walter Benjamin’s principle to preserve the memory of the oppressed. Bolaño understands it as the ethical task of literature.

La forma de la falacia. Una relectura del tópico de la cetrería en la novela Nocturno de Chile de Roberto Bolaño

71%

Trojanowski A.

tom 27

221-233

The aim of the article is a rereading of the falconry motif in Roberto Bolaño’s novel Nocturno de Chile, based on an analysis of the critical reception existing so far. The study combines the traditional methods of narratology with a close-reading-orientated approach on the textual, narrative and intertextual level. As a result, the formal aspect of the novel, based on the techniques of incongruity and indetermination, is seen as a narrative tool to discredit the fallacies of the narrator’s monologue. By positioning the allegoric and symbolic readings of the motif in the context of the narrative technique, it seems that the main focus of the novel is a deconstruction of the testimonial mode of enunciation and, as a consequence, a critical revaluation of the actual debate on the history and memory in Chile and Latin America.