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ON THE PHENOMENOLOGY OF AN ACTOR'S FACE ((K fenomenologii tvare herca)

100%

Vinar J.

Slovenské divadlo (Slovak Theatre)

2010

tom 58

nr 1

47-56

The author, reputable Czech theatre theoretician, produced a comprehensive and for theatre important monograph on the role of an actor's work with his/her own face in the rendition of a dramatic figure and, hence, the function of the actor's face in the process (not only strictly limited to facial expressions) of change of an actor to a dramatic figure. The author examines this process from the different angles and traces back the less-known areas of perception and the use of the face in the theatre cultures of the Far East. The paper focuses on the elucidation of the presence of physiognomy in ancient Chinese culture and in ancient theatre. It is concluded by the author's statement that Roman pragmatism, certain indifference to the metaphysical problems of early philosophy, was outweighed by an interest in concrete specificities, in the present or about to begin time of the foreseeable future. The Roman art of divination, which interpreted omens, both seen and heard, and built on the art of 'reading from the face', served the above purpose. Here the Romans availed the classical knowledge of Greek anthropometry and physiognomy and given principles of corporeal beauty.

Apoštol Pavel opěvuje lásku

84%

Tichy L.

Studia theologica

2004

tom 6

nr 4

19-30

The article deals with two Pauline texts: 1 Cor 13 and Rom 8.31-39. The former well-known text is traditionally called the hymn to love (or hymn on love or hymn of love). But this appellation has been recently criticized with good reason. Instead, a number of different literary genres have been proposed for this chapter of 1 Corinthians. However, it seems that a consensus on this question can hardly be reached. The pericope Rom 8.31-39 has been called a 'Hymn to the Love of God Made Manifest through Christ Jesus' by J. A. Fitzmyer. Although the apostle Paul possibly sings the praises of love more strongly in this latter text, the classification as 'hymn' is not generally accepted, either. Other definitions of the literary genre as 'diatribe' or 'plea for love' are also not without difficulties. We can see that the problem of genre is common to both our texts. But more important is the common theme, i.e. love, and the message. Even though Paul speaks of love in each pericope in a different manner, we must see these texts as complementary. The apostle Paul exalts and extols the love that comes from God, i.e. as God's gift, but it is also the love we are to have and to accomplish for God and for our neighbors.