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2 World Literature Studies

2 2017

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FASSBINDERS „BERLIN ALEXANDERPLATZ“ – LITERATURVERFILMUNG ALS QUEER READING

100%

Elisseeva A.

nr 4

62 – 73

The term queer reading is borrowed from the writings of Eve Kosofsky Sedgwick. Via the example of R. W. Fassbinder’s Berlin Alexanderplatz it is demonstrated that the literary adaptation can appear as a form of queer reading strategy. The film accents queer subtexts contained in the novel. The paper investigates the means of accentuating such content. These means include narrative condensation, concentration on main characters, repetition, speech ambiguity, body language, facial gestures, music and close ups. Some of these meanings belong to the repertoire of melodrama.

EINE ZWISCHENREVISION DES QUEER READING

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Demčišák J.

nr 4

35 – 52

The study focuses on the evolution and normalization of queer reading in German literary studies. Based on an analysis of texts which seem to be canonical for the academic concept of queer reading, the weaknesses, strengths and futurity of this hermeneutic model and its importance and contribution to the literary criticism are discussed.