Wyniki wyszukiwania - Biblioteka Nauki

Ten serwis zostanie wyłączony 2025-02-11.

Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl

Ograniczanie wyników

Znaleziono wyników: 4

Liczba wyników na stronie

Wyniki wyszukiwania

Wyszukiwano:
w słowach kluczowych: QUEER

Sortuj według:

Ogranicz wyniki do:

Pociąg transosobowy. Wykolejone epifanie a queerowe zdarzenia w twórczości Mirona Białoszewskiego

100%

Kaliściak T.

tom 14

32-47

This article discusses the presence of railway epiphanies in the works of Miron Białoszewski, in particular their reference to queer events, understood as the presence of non-heteronormative meaning or desire. I examine the presence of trams, subways and railways in Białoszewski’s trips to Paris, Budapest and New York. Travelling by train can induce transgressive impulses and is often an occasion for expressing hidden tendencies, for instance homosexual behaviours. The experience of the train journey, which builds up weariness and drowsiness, can contribute to people experiencing a lack of boundaries and limits around them, with the consequence of everything becoming more confusing, obscure, and fluid. The movement of the train can cause a trance state, and due to the walking between the world of the conscious and subconscious mind, passengers evolve into “transpersons”, that is to say people “in the transition”, “on the way”, and “between”. Their gender becomes fluid, mobile, and “in motion”. This paper also analyses the figure of “derailed person” used by Artur Sandauer when comparing Białoszewski to Genet as a means of encoding homosexuality, here understood as a figure of the queer “derailment” of heteronormativity.

INAKOSŤ, HOMOSEXUALITA, PERFORMATÍVNE ROLY (A QUEER) V (POST)MODERNEJ MAĎARSKEJ POÉZII

100%

Csehy Z.

nr 1

86 – 97

This study provides the synoptic treatment of the self-representation strategies of the homosexual poetry in (post)modern Hungarian literature using the matrix of Christopher Reed. Reed constructs a matrix of interpretation between the concepts of homosexuality and the relationship of art to homosexuality. I am focusing on the analysis of the conceptual forms which are getting on as the sexual encounters – in which one person is perceived as transcending gender norms –, or as the separate identity, or as performative role without permanent core identity. In five chapters I am dealing with the survival of male ancient homoerotic tradition (poetry of J. Berda and M. Babits), with the erotic and associative interpretation strategies in the zone of the transcending of gender norms (poetry of Gy. Faludy, J. Pilinszky and P. Toldalagi), with the strategies of Hungarian gay subculture (poetry published in subcultural periodical called Mások), with the concepts of the separate gay identities (poetry of A. Gerevich, J. Rosmer and Á. Nádasdy) and with the poetical performative roles as self-conscious choice of artists (poems of D. Krusovszky, M. Varga and I. Nagypál).

THE MALE GENDER SCRIPT AS SELF-REPRESENTATION IN THE SÁNDOR VAY Ś POETRY

86%

Csehy Z.

World Literature Studies

2017

tom 9

nr 4

53 – 61

In this paper the author has analysed the artistic manifestations of the ego-forming strategies of Sándor/Sarolta Vay (1859–1918), guided by the patterns of norm-following and norm-rejecting gender performativity and also by stepping outside of these patterns. Sándor Vay was born as a woman but lived as a man, constructing his writer ego as a male author as well. This construction could be one form of queer masculinity based on corporeality. The first part of this paper demonstrates Vay’s career; the second analyses Vay’s poems published under a female name and those published later under a male name, investigating the strategies of textual creation of sexuality and gender.

Subversión del orden político y genérico-sexual en Tengo miedo torero de Pedro Lemebel

86%

Smuga Ł.

Estudios Hispánicos

2010

tom 18

133-146

Pedro Lemebel is a Chilean performer and writer representing queer art. In his novel My Tender Matador he narrates a love story of two homosexuals: a drama queen and a revolutionary fighting against Augusto Pinochet’s dictatorship. The aim of this paper is to analyse how the novel shows the political dimension of homosexuality and gender ambiguity, and how it subverts the values represented by the dictator, scrutinized in the book with a queer eye.