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“Shaping” and “Painting” during the Early Bronze Age: the Case-study of Pottery of Colle della Croce (Scicli, Ragusa)

100%

Veca C.

nr 1

Pottery technology, although largely neglected in studies of the Sicilian Early Bronze Age (Castelluccio culture, 2200-1450 BC), represents a strategic field of research for focusing on main steps of manufacturing of Castelluccian vessels. In this perspective, the evidence from the archaeological deposit of Colle della Croce (Scicli, Ragusa) has allowed us to emphasise some new technical features that can be observed in the production within other cultural districts. The most significant phase of the study was the autoptic examination of materials and surfaces that led to the definition of this production as medium and coarse ware, with the use of different kinds of technical solutions in relation to different uses and functions. The manufacturing techniques, especially when surface treatment is clearly recognizable on fragmentary specimens, can be conditioned by several factors, such as the shape type and the function of the vessel. Features such as working plans and supporting systems were observed quite frequently, as well as polishing techniques and joints slots for the handles that could be interpreted as ‘workshop standards’ rather than simply local traditions.

Aux sources d’un style céramique original. Des pots à décor couvrant imprimé ou modelé, une spécificité du territoire sénon au 5e siècle av. notre ère?

72%

Saurel M. , Bardel D. , Di Napoli F. , Séguier J.-M.

nr 1

17-44

The paper is focused on impressed or modelled covering decorations well represented on pottery in the heart of the Paris Basin during the Second Iron Age. After a phase of emergence in the western Hallstattian province, a concentration of these decorations can be highlighted in the second half of the 5th century in the middle valley of the Seine especially between the confluence of the Seine and the Aube and the confluence of the Seine and the Yonne. Their wider diffusion mainly northwards occurs from the 4th century. The discussion focuses on both the characterization of this phenomenon and its delimitation with a more specific reflection on a possible link at the time of the first flourishing with a ‘Senon’ cultural space.