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Róża Wojciecha Smarzowskiego jako medium idei

100%

SZPULAK A.

nr 27

87-96

Wojciech Smarzowski’s Rose as the medium of ideology The text concentrates on the problem of the ideologization of artistic transmission and uses Wojciech Smarzowski film ‘Rose’ as an example. This problem is considered both on several levels: reception, above all the critical-film level, and also on the level of the work itself. The analysis reveals the impoverishment of the message by radical left-wing and also conservative ideologization is becoming apparent. Also a susceptibility of work to discourse of the political correctness is becoming apparent, in addition it is rather superficial susceptibility.

Kłopotliwa (nie)pamięć o Zagładzie: wymazywanie żydowskości w recepcji i ekranizacji Weisera Dawidka Pawła Huellego

72%

Mach A.

tom 5

p. 331-351

In my text I analyse Weiser Dawidek – a novel written in the mid-1980s by Paweł Huelle (who was a novice author at the time) and its film version Weiser, adapted and directed by Wojciech Marczewski in 2001. I focus on reception of both of the works. The story, which was recognized as one of the most important literary phenomenon in the late 1980s, begins with a “primal scene” of an anti-Semitic harassment and assault performed by Catholic male adolescents on their schoolmate Dawidek. Nevertheless, the Jewish aspect of the novel and its apparent reference to the Holocaust was not perceived by most of the reviewers and literary critics. I draw upon various theoretical contexts (e.g. Freudian and Lacanian psychoanalysis, memory and trauma studies) as I attempt to discuss the complex problem of the legacy of the Holocaust in Poland.