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5 Rocznik Antropologii Historii

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Piotr Kowalski (1952-2011) - wspomnienie

100%

Jastrzębski J.

Rocznik Antropologii Historii

2012

nr 1(2)

392-395

The obituary of Professor Piotr Kowalski.

Antropologia historyczna Piotra Kowalskiego a wrocławski projekt antropologii mediów

80%

Rydlewski M. , Woźny A.

Rocznik Antropologii Historii

2017

nr 10, Antropologia - folklor - historia

49–70

For the last few years of his life, Piotr Kowalski returned to the city where a few decades earlier he studyed Polish philology and worked as a professor at The Institute of Journalism and Social Communication at the University of Wrocław. During his time in Wrocław, he wrote a very inspiring article named „Reflections on the anthropology of media". One of the main ideas was that historical anthropology is a background for the anthropology of media, which should be concentrated on cultural imaginarium ways of communications. In the article, we present how his ideas are being developed by us in our work entitled „scenario of culture" which was inspired by this researcher.

A. Kowalski, Świat Andrzeja Komonickiego, kronikarza Żywca. Studia z antropologii historycznej

70%

Rok B.

Rocznik Antropologii Historii

2011

nr 1-2

307–316

A review of the book by Piotr Kowalski " Świat Andrzeja Komonieckiego, kronikarza Żywca. Studia z antropologii historycznej", Wrocław 2010, ss. 398.

Literatura – folklor – antropologia. Piotr Kowalski o sobie i swojej wczesnej twórczości

70%

Jastrzębski J.

Rocznik Antropologii Historii

2017

nr 10, Antropologia - folklor - historia

17–28

In this article, I made use of auto presentation included in the documents presented by Piotr Kowalski in the professional situations connected with his academic career, in its initial stages. Kowalski`s scientific way led from investigations on popular literature and mass culture to the anthropology of history and media. In his observations and analysis of contemporary culture, he always had taken into consideration the historical determinations of human behaviour and artefacts in many social spaces. In his reconstructions, his visions of the world, Kowalski regarded both the synchronous and diachronous dimensions because there is no possibility to understand the present day if one cannot understand history.

Kultura w historii. Piotra Kowalskiego koncepcja antropologii historycznej

60%

Kowalewski J.

Rocznik Antropologii Historii

2017

nr 10, Antropologia - folklor - historia

35–48

The prime objective of the article is to reconstruct basic assumptions that accompany the historical anthropology practiced by Piotr Kowalski. The last decade of Kowalski’s work is dominated by that type of studies and therefore they form a conceptionally mature construct that combines lifetime experience of that culture researcher. At first, when entering the field of historical anthropology, Kowalski referred to the textbook patterns of studies conducted abroad. However, it was not long that he proposed his own understanding of research problems in the history of culture. He refers to the category of colloquial thinking schemes and the vision of culture as a structured semiotic chaos. His rejection of the culture viewed as a coherent and organized whole dynamizes the model of historical culture that he accepts. What makes one of the expressions of that trend is the accepting the situational definition of cultural experience and organization of the world. In the last years before his death, Piotr Kowalski applies a multi-variant research model, in which philological, folkloristic, and anthropological competences are originally included into the task of identifying alien historical re-constructed worlds. His final image of the research method or a bundle of research methods reflects the motives crucial for his studies, mostly in the sphere of the tension between the standing and the change, repeatability and dynamization, as well as individualization of reading the world in historical cultures. The subject of his last studies is formed by the civilizational process, understood in its widest scope, happening in the space of cultural constructs, and watched by a researcher in the micro- and macroscale at the same time. What makes a crucial historical source for the research presented in that way is a narrative text.