The author contemplates expressional bipolarity of contemporary art of the theatre. He is interested personally in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators.
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.