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EN
The subject of this paper is the problem of researching participation in artistic culture. The analysis begins from the thesis that contemporary participation in artistic culture, regarded from the perspective of the individual, is both aesthetic act and social action. Sociological analysis of the participation in artistic culture should therefore be based on the mental attitude of the receiver of culture, which is constructed during the process of defining the situation of participation in artistic culture. This attitude consists in defining the subject of participation (by locating it in the consciousness of the recipients of culture) and defining the relation with this subject (by connections with the type of signification) which together form the basis for distinguishing specific mental types of recipients of artistic culture. Based on his empirical research of the citizens of Cracow, the author then presents the empirical characteristics of the selected types in the context of demographic variables and the respondents’ cultural activity.
EN
Florian Znaniecki's life and work accompanied major social changes caused by industrial society formation. The goal of the paper is analysis of Znaniecki's views on cultural processes, with regard to social fragmentation and decomposition. Problems of fragmentation are seen in Znaniecki's idea of human sciences, but not in his analyses of social order change, that he viewed as a new order appearing from chaotic disorder. Collapse of social order is effect of destructive powers, social evil. New order stems from input of outstanding personalities who initiate processes of social order creation that provoke reactions from other people; this process Znaniecki calls participation in culture. Constant elements of social life are customs. Industrial order promoted new work technique, that weakened workers' motivation and increased feeling of deprivation. Industrial society acted as a means of workers' discipline and kind of military regime. It was a forecast of world conflicts. Going in path with Znaniecki's analyses, the author discusses case of contemporary journalism and its fossilization.
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