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OSCAR DOMÍNGUEZ NA SLOVENSKU

100%

Štěpánek P.

tom 41

nr 2

188-208

The article takes a closer look at contacts of Spanish painter Oscar Dominguez, a member of the Paris School, with Czechoslovak and particularly Slovak territory during the first years after the Second World War. O. Dominguez did not take part only in a series of collective and individual exhibitions, but actively pursued his own work in ateliers mainly in Prague, Olomouc and Bratislava while visiting Czechoslovakia several times from 1946 to 1949. This lively artistic interplay was terminated due to the Communist rise to power in February 1948.

RICŒUR AND THE PARIS SCHOOL: AN IMAGINARY ENCOUNTER ON THE NOTION OF INTERPRETATION

86%

Woo Y. S. , Lee H.

Filozofia (Philosophy)

2015

tom 70

nr 4

282 – 294

Danica Seleskovitch and Marianne Lederer, the translation scholars of the Paris School who invented the Interpretive Theory of Translation (ITT), were intrigued by the use of the same notion of interpretation in hermeneutics, especially that by Paul Ricœur. Unfortunately, although an invitation was extended by the Paris School, an encounter between the two parties never came to fruition during Ricœur’s lifetime. In this paper, we attempt to imagine this unfulfilled encounter between Ricœur and the Paris School, and reflect on the convergence and divergence of their views on interpretation as applied in hermeneutics and Translation Studies. This paper shows the shared convictions and divergence between Ricœur and the Paris School, and focuses in particular on their opposing stands through several keywords: the object of interpretation, the scope of interpretation, ambiguity, communicator versus interpreter, and the hermeneutical circle. Finally, this paper attempts to situate the ITT within the history of hermeneutics.