The article focuses on the castle garden in Červené Poříčí (West Bohemia) and comprises also pictures some of which are the naive original paintings made by the demesne administrator; summarizes all so far known important information regarding the history of the construction and furnishing of the castle and the castle garden in Červené Poříčí.
The text is an attempt to re-read / “structuring” of B. Strozzi’s picture’ Abduction of Europa’ in reference to the iconic turn, important and interesting from a methodological perspective, made in the 90s of the twentieth century. Referring to Max Imdahl and his Iconic (and, though the methods of criticism, to E. Panofsky and H. Sedlmayr) and using that first proposed ideas how so-called recognizing and seeing view, stage totality or transscenic field-line system is shown, that the meaning of the image/ presentation may be constituted by his, unique and singular, visual structure, which in turn is based on, impossible to translate discursive, pictorial language.
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