Wyniki wyszukiwania - Biblioteka Nauki

1

Etnograficzne źródła turystyki kulturowej. Pejzaż symboliczny Wołynia w XIX w. na przykładzie monografii Oskara Kolberga pt. Wołyń. Obrzędy, melodye, pieśni

100%

Libura K.

Turystyka Kulturowa

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2016

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nr 4

99-115

PL

W artykule podjęto próbę wywiedzenia źródeł turystyki kulturowej z dziewiętnastowiecznych praktyk etnograficznych, wskazując na wspólne obu dziedzinom zainteresowanie kulturą i tradycją, przejawiające się w eksploracji przestrzenno-kulturowej. Potwierdzając stanowisko A. Stasiaka o niemożności rozdziału turystyki od kultury ze względu na ich dialogiczny charakter, opisano pogranicze polsko-ukraińskie na podstawie zbioru etnograficznego Oskara Kolberga pt. Wołyń. Obrzędy, melodye, pieśni. W odniesieniu do badań prowadzonych przez zbieracza pamiątek ludu zaproponowano zastosowanie pojęcia wiejskiej turystyki kulturowej w definicji T. Jędrysiaka. W toku przeprowadzonej argumentacji wskazano na znaczenie praktyki etnograficznej Kolberga dla współtworzenia kultury narodowej oraz zainicjowania badań antropologicznych, co stanowi istotny przyczynek dla badaczy, a współcześnie także turystów zwiedzających Wołyń. Na zakończenie wysunięto wnioski dotyczące przemian społecznych, politycznych, gospodarczych i świadomościowych na wsi w XIX w. oraz polityki ZSRR w XX w., które wskazują, iż związek etnografii z turystyką kulturową ma dziś szczególne znaczenie w procesie odzyskiwania pamięci dla przestrzeni dotychczas marginalizowanych w polu turystycznym.

2

Opowiadanie zwizualizować pismem. O pracy Oskara Kolberga nad tekstami ludowymi

88%

Kotlarska I.

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tom 109

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nr 1

185-198

PL

Przedmiotem artykułu są bajki ludowe Oskara Kolberga, przedstawiane tu jako złożony, wielowarstwowy palimpsest kulturowy, który łączy w sobie oralność i piśmienność, twórczość ludową oraz konwencje kultury wysokiej uwidaczniające się w pracy folklorysty –zbieracza i edytora. Podjęta tu zostaje problematyka różnego rozumienia zagadnienia wierności rejestracji tekstów folkloru w XIX wieku – na podstawie analiz w zapisów terenowych rekonstruowane są efekty transkrypcji słowa mówionego. Uwzględnione zostają przy tym różne aspekty performatywne (m.in. charakter sytuacji, ton głosu czy gestykulacja), następnie zaś prezentowana jest specyfika pracy folklorysty-edytora, który chciał jak najpełniej przekazać czytelnikowi to, co widział i słyszał. Cel artykułu stanowi odszukanie kontekstu powstania Kolbergowskich utworów bajkowych – czyli tego wszystkiego, co towarzyszy opowiadaniu bajek, ale znajduje się poza słowem.

EN

The subject of the paper are folk tales presented here as a complex and multilayer cultural palimpsest which combines orality and textuality, folk creation, and high culture conventions demonstrated in a work of a folklorist – collector and editor. The issue of diverse understanding of fidelity of recording the folklore texts in the 19th c. is discussed here – as based on the analyses of field records the effects of spoken words transcriptions are reconstructed. The paper also accounts for many various performative aspects (e.g. the character of situation, tone of voice and gestures), then it the specificity of the work of folklorist-editor who wanted to most generously offer the reader what he saw and heard. The article’s goal is finding the context of Kolberg’s fables creation, namely all that accompanies telling the stories but lies outside the word.

3

Myśli i dzieło Oskara Kolberga jako inspiracja dla współczesnego etnomuzykologa

75%

Grozdew-Kołacińska W.

Lud

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2014

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tom 98

63-80

EN

The paper is a concise synthesis of deliberations based on the ideas of Kolberg (extracts) subjectively selected by the author. The main problems analyzed in the paper are: music as the subject of high priority in documentation and research, as well as the idea of methodical holistic documentation. The paper presents two weaknesses of modern ethnomusical gathering and archiving methods which are of utmost importance. Firstly, research centers and researches themselves are dispersed, and so is the object of the studies, musical material, which has recently been gathered intensively both by scientists and amateurs. Secondly, resources are not worked on with due consideration to their merits, especially if the work is undertaken by an individual hobbyist. Subsequently, the paper focuses on the idea of popularization of traditional music and its practical and theoretical aspects, which have been presented in the context of Oskar Kolberg’s comprehensive musical education, his music-making, and the meaning of these for his academic thought and the attitude towards his own interest in the research and documentation of music. The aforementioned practical aspect also concerns his exquisite organizational skills during his fieldwork. The theoretical aspect is the praise of erudition and versatility of his interests which were reflected in his academic thought, his journalistic work, and deep concern for the top quality of his editorial work.

4

Metody pracy, zasady i praktyka podziału regionalnego w monografi ach Oskara Kolberga

75%

Waszczyńska K.

Lud

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2014

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tom 98

17-40

EN

The article, comprising four sections, presents Oskar Kolberg, a Polish ethnographer and folklorist, and his work. The first section is devoted to the ethnographer’s early work and to the results of his lifelong research, namely a twenty-three-volume monograph entitled Lud, jego zwyczaje, sposób życia, mowa, podania, przysłowia, obrzędy, gusła, zabawy, pieśni muzyka i tańce (Folk: Their Customs, Way of Life, Language, Legends, Proverbs, Rituals, Spells, Games, Songs, Music and Dances) and a nine-volume series entitled Obrazy etnograficzne (Ethnographic Pictures). The second section presents the methodology that Kolberg used to collect his data, including his own research, materials received from other researchers and data gathered as the result of contests organised by various scientific societies around the country. The third section describes the methods used by Kolberg to organise the materials. Kolberg aimed to create an overall ethnographic description of Poland with a division into the so-called provinces. Additionally, Kolberg differentiated and described ethnographic groups, including their ethnonyms, which are still recognised and used today. The fourth section presents the scope of his monographs, which have become the standard for this type of ethnographic work. The article also reflects upon the challenges that Kolberg’s work presents for the contemporary reader.

5

Materiały Kolbergowskie a metodologia badań folklorystycznych

75%

Grochowski P. , Wróblewska V.

Lud

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2014

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tom 98

41-62

EN

This article is an attempt to take a critical look on Oskar Kolberg’s works in the context of modern methodological standards, which are accepted in the folklore research. The analysis of specific qualities of Kolberg’s material, (e.g. the way of obtaining ethnographical data, organizing them and preparing for print) leads to a few conclusions. An ambitious and innovating project (an attempt to show the connections between folk texts and folk culture in general) was partly realized, because in Kolberg’s works there is a characteristic dissonance. Some texts are placed in the group with descriptions of habits, beliefs and rituals, some in the separate sections associated with literature (e.g. “Folk novels”, “Songs”, “Proverbs”). And the third group consists of dances. The entire material is divided in two basic sections. The first one includes texts, which are recognized as closely connected with cultural context and this connection is emphasized. The second section includes texts, which are treated as autonomous and their links with other elements of folk culture are omitted and marginalized. It appears that Kolberg, despite his very modern, holistic approach to culture research, stayed in the strong influence of philological and musicological paradigms. They were not harmoniously combined, but competed which each other and gained “local victories” in particular areas of research.

6

LUDOWE TRADYCJE W ŻYCIU MIESZKAŃCÓW POZNANIA

51%

Brencz A.

Ochrona Zabytków

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2004

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nr 3-4

141-153

EN

The article is an attempt at demonstrating certain aspects of non-material cultural heritage in the contemporary urban landscape. From the ethnological point of view many non-material elements consist of activity and behaviour, at times of a symbolic nature, which comprise an important component of the cultural heritage. Such elements play an essential part in shaping the landscape by endowing it with a unique atmosphere, characteristic for each town. The author of the presented article used the example of Poznań to seek an answer to questions about the role of traditional folk culture and its particular constituents in the creation of a contemporary urban landscape. In the case of Poznań this function proved to be truly significant. The incoming population from the villages of Greater Poland made its own “invisible” cultural contribution. Some of the elements were rejected in the new environment, while others were preserved owing to their special value. All generated a specific conglomerate of Poznaƒ tradition discernible, i. a. in the evaluation of city space or the features of the local dialect. This impact is particularly visible in the culinary tradition, where one may easily discover echoes of an obligatory and rigorously observed model of “consumer minimalism”. The preserved traditions include those of baking ritual bread (the famous St. Martin crescents). Many cultural phenomena continue to appear in family and annual rites, such as the custom of presenting children with gifts on St. Nicholas day, the figure of the Star Man (Gwiazdor), who brings presents to children on Christmas Eve, or podkoziołek, a name given to the entertainment enjoyed on the last day before Ash Wednesday. The intention of the presented study was to draw attention to the role performed by folk tradition, and to indicate the possibilities of using it in multiple pragmatic undertakings pursued for moulding the cultural landscape of the contemporary town.