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1

The Egyptian collection from Łohojsk in the National Museum in Warsaw

100%

Majewska A.

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2018

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tom 57

249-257

EN

The National Museum in Warsaw, founded in 1916, took over the function of the older Museum of Fine Arts in Warsaw, founded in 1862. Between 1918 and 1922, the National Museum was systematically enriched through donations by private persons and institutions. One of the most important collections, placed there in 1919, was that originating from an old private museum owned by the Tyszkiewicz family in Łohojsk, donated through the agency of the Society of Fine Arts ‘Zachęta’ in Warsaw. The museum in Łohojsk (today in Belarus, not far from Minsk) was founded by Konstanty Tyszkiewicz (1806–1868). The rich collection of family portraits, paintings, engravings, and other works of art was enriched in 1862 by Count Michał Tyszkiewicz (1828–1897), who bequeathed a substantial part of the Egyptian antiquities brought from his travel to Egypt in 1861–1862. The Łohojsk collection was partly sold by Konstanty’s son, Oskar Tyszkiewicz (1837–1897), but some of these objects were purchased in 1901 by a cousin of Michał Tyszkiewicz, who then donated them to the Society of Fine Arts ‘Zachęta’. At this stage, the whole collection amounted to 626 items, of which 163 were connected to Egypt. During World War II, the National Museum in Warsaw suffered serious losses. At present, the exhibits originating from Łohojsk include 113 original ancient Egyptian pieces, four forgeries, and 29 paper squeezes reproducing the reliefs from the tomb of Khaemhtat of the 18th Dynasty (Theban tomb no. 57).

2

„ROCZNIK MUZEUM NARODOWEGO W WARSZAWIE. NOWA SERIA”, NR 1(37), 2012, SS. 366, IL.; NR 2(38), 2013, SS. 524, IL.

88%

Borusowski P.

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tom 55

234-237

EN

The 2nd issue of „Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series” was published in 2013. The journal is a continuation of the long-lasting tradition dating back to the beginnings of the museum in its current building and a combination of the best features of the former journals: “Rocznik Muzeum Narodowego w Warszawie” (“Journal of the National Museum in Warsaw”) and “Bulletin du Musée National de Varsovie”. The new journal is designed for art historians, conservators and other scientists who want to present their research related to the collection of the National Museum in Warsaw, conservation issues or the problems of modern museums.

PL

W 2013 r. ukazał się drugi numer „Rocznika Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series”. Czasopismo kontynuuje bogatą tradycję sięgającą początków istnienia muzeum w jego obecnym gmachu, łączy najlepsze cechy swoich dawnych periodyków: „Rocznika Muzeum Narodowego w Warszawie” i „Bulletin du Musée National de Varsovie”. Łamy nowego czasopismo otwarte są dla historyków sztuki, konserwatorów i przedstawicieli innych dyscyplin naukowych, którzy chcieliby opublikować badania związane z kolekcją Muzeum Narodowego w Warszawie, zagadnieniami konserwatorskimi czy problemami współczesnego muzealnictwa.

3

Exposition « Fouilles égyptiennes » au Musée National de Varsovie, 1937

88%

Ambroziak L.

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tom 29

7–17

EN

The University of Warsaw started the Polish-French excavations in Edfu (Egypt) under the agreement concluded in 1936 with the French Institute for Oriental Archaeology in Cairo. The numerous artifacts found during the first archaeological season at the site in 1937 were split between Egypt, France and Poland, while the last received the highest proportion of the findings (c. 2000 objects). After being transported to the National Museum in Warsaw the most interesting artifacts from Edfu were presented on an exhibition opened the same year. The exhibition attracted c. 60 thousand visitors within two months. As a result, the Gallery of Ancient Art – the first permanent exhibition of the heritage of ancient civilizations in Poland – was created in 1938. The Gallery was housed in the newly opened building of the National Museum in Warsaw. Professor Kazimierz Michałowski, one of the members of the archaeological team working in Edfu and the creator of the ‘Polish school of the Mediterranean archaeology’, was appointed its first curator.

4

CURATORSHIP PRAXISES TOWARDS ‘DISPLACED ASSETS’ IN POST-1989 MUSEUM PROJECTS: TWO EXHIBITIONS AT WARSAW’S XAWERY DUNIKOWSKI MUSEUM

75%

Toniak E.

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tom 61

208-218

EN

Two exhibitions at the Xawery Dunikowski Museum of Sculpture at the Królikarnia Palace, branch of the National Museum in Warsaw: the ‘Inventorying’ Display-Research Project, which was a kind of a public inventory of the sculpture collection (2012) and the Exhibition ‘The Estate. Sculptures from the collection of the Von Rose family and films and photographs from the archive of Zofia Chomętowska’ (2015) are case studies serving the Author to analyse curatorship practices with respect to the collections whose major part is composed of ‘displaced assets’, first of all from the so-called ‘Regained Territories’. In the words of the Chief Curator at the Królikarnia Museum since 2011 and the Exhibitions’ Curator Agnieszka Tarasiuk: it is a troublesome collection testifying to a difficult heritage and not yielding to conservation. The paper’s methodological basis is the museum exhibits’ provenance research conducted by R. Olkowski, L.M. Kamińska, and M. Romanowska-Zadrożna, while its context is found in the programme assumptions of the Strategy for the Operations and Development of the National Museum in Warsaw 2010–2020 worked out by the former National Museum’s Director Piotr Piotrowski. One of its priorities is to clarify the origins of the collections of unknown provenance, and settling accounts with their former owners. Furthermore, the question related to constructing museum’s genealogy and the memory of history of the period immediately following WWII in the new socio-political situation in Poland after 1989 is posed. The position for dealing with collections’ provenance research introduced by P. Piotrowski was liquidated following the Director’s dismissal in 2012. The paper forms part of a bigger whole.

5

Peter Paul Rubens, Nicolas-Claude Fabri de Peiresc and Joan of Arc

75%

Borusowski P.

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nr 2

25-35

EN

In 2011 a discovery was made at the Department of Prints and Drawings of the National Museum in Warsaw - a drawing hitherto described as a Kneeling knight by an anonymous seventeenth-century artist, turned out to be Joan of Arc, a sketch well-known to art historians studying the oeuvre of Peter Paul Rubens, although thought to be lost during the Second World War. The drawing, until now known only through the black and white photograph, could be thoroughly analysed for the first time. In the context of information thus obtained, the historical context of creating the sketch transpired as an equally important matter, including the hypothetical role that may have been played in its creation by Nicolas-Claude Fabri de Peiresc.

6

The measurement of the curvature of the wooden support with a cradle by means of the optical scanner ATOS on the example of the copy of "Madonna and Child" by Luini Bernardino

63%

Trochimowicz A.

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2012

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tom 80

7

Ergon agathon

63%

Lichocka B.

Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)

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2017

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tom XXX

9-71

EN

In 2016 the 60th anniversary of the establishment of the Research Centre for Mediterranean Archaeology of the Polish Academy of Sciences (Zakład Archeologii Śródziemnomorskiej Polskiej Akademii Nauk) and 50th anniversary of the edition of the first volume of Études et Travaux took place. It is an opportunity to recall the story of the institution founded on the initiative of Prof. Kazimierz Michałowski, one of three key components constituting the ‘Polish school of Mediterranean archaeology’. The Centre’s scholars have participated in many archaeological missions conducted under the auspices of the Polish Centre of Mediterranean Archaeology of the University of Warsaw. They carried out scientific projects connected with explored sites, but also various studies undertaken independently of the fieldwork. In addition to scientific research, scholarly editions, the lasting traces of their activity are popular scientific publications. In 2010, the Centre was combined with the Centre for Studies on Non-European Countries of the Polish Academy of Sciences and was thus transformed into the Institute of Mediterranean and Oriental Cultures of the Polish Academy of Sciences (Instytut Kultur Śródziemnomorskich i Orientalnych Polskiej Akademii Nauk).

8

Nocna kultura - 14 maja 2016 r. Muzeum Narodowe, Warszawa

51%

Wilczyński K. , Ligier P. , Malinowska M.

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tom R. 67, nr 3

47

9

Rzeczy z hecą, 5 października 2017 – 7 stycznia 2018, Warszawa

51%

Maszewska A. , Ligier P. , Podstawka A. , Bajkowska M.

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tom R. 68, nr 6

40--41

PL

„Biedermeier” w Muzeum Narodowym w Warszawie to wystawa niezwykła. Nie tylko dlatego, że jest pierwszą w Polsce tak dużą, poważnie opracowaną prezentacją tego bardzo popularnego kiedyś i do dziś dobrze rozpoznawalnego stylu. Nie tylko też dlatego, że gromadzi meble, obrazy, bibeloty, porcelanowe i szklane przedmioty codziennego użytku, biżuterię – w sumie ponad 400 pięknych i cennych eksponatów.

10

Szkło pod lupą. O nowej Galerii Wzornictwa Polskiego w Warszawie

51%

Sołtysiak W. , Korta M. , Doliński Z. , Ligier P. , Sołtysiak W.

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tom R. 69, nr 1

44--46