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Absents et absences dans les Essais de Montaigne

100%

Bjaï D.

nr 1

11-22

Except for Étienne de la Boétie, the friend for ever gone but whose presence pervades the Essais so vividly, the reader can notice the nearly total – and therefore puzzling – absence of Montaigne’s mother, Antoinette de Louppes, contrasting with the recurrent mentions to his father, Pierre Eyquem. He will also encounter strange omissions, such as Montaigne’s silence on St-Bartholomew’s Day massacre, and telling lapses, for instance on the answers given to young King Charles IX by the cannibals from Brazil. Do the Essais really “tell everything” (On vanity, III, 9), as Montaigne claims they do?

Becoming Animal in Michel de Montaigne Views. Toward an Animal Community

89%

Skonieczny K.

nr 1

87-102

It is a recent tendency to read certain pre- and early-modern thinkers as “anticipatory critics” of modernity; the name of Michel de Montaigne often comes up in this context. Most of the critical approaches treat Montaigne like a pre-Rousseau proto-romantic which is indeed is an important part of Montaigne’s thinking. However, as I show in this paper, his Essays also allow for a different interpretation. Namely, I demonstrate that 1) Montaigne’s appraisal of Nature is far from a romantic-idyllic one; 2) his understanding of the interspecies division is more subtle than it is often thought; 3) his thought thus interpreted includes an ethics of becoming-animal that is based on a radically anti-Platonic (and thus anti-Cartesian) body-mind economy.

Cervantes a tolerance

88%

Sánchez J. A.

2019

tom 16

nr 31

25-39

The treatment of the morisco theme in Don Quixote could be understood as an index — a proof — of the philosophical and spiritual differences between Cervantes and the official ideology of his time. In his discourse, Ricote (the morisco character in Don Quixote II, 1615) names the ‘freedom of conscience’, an important theme in European religious discourse of the 16th and 17th centuries. This article deals with the interpretation of that expression in the literary and ideological context of Cervantesʼ novel and Cervantesʼ world. It seems that the expression refers to the Peace of Augsburg, and it could be interpreted as an appeal for tolerance, in this case regarding the morisco question (the moriscos were banned in 1609, before the publication of the second volume of Don Quixote). Yet this is a problematic interpretation: in Spain, the expression was commonly associated with heresy. It is in this sense that Lope de Vega uses the expression. This in turn is what allows us to characterize Lope de Vegaʼs literary work as conservative and Cervantesʼ as liberal.