Wyniki wyszukiwania - Biblioteka Nauki

1

Marcin Napiórkowski, Powstanie umarłych. Historia pamięci 1944-2014, Wydawnictwo Krytyki Politycznej, Warszawa 2016, pp. 472

100%

Bernardini L.

pl.it / rassegna italiana di argomenti polacchi

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2017

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nr 8

229-233

2

The Structures of Memory. The images of space-time in Andrzej Munk’s film "Passenger"

51%

Kwiatkowska P.

Kwartalnik Filmowy

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2013

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nr Special Issue - Polish Film Scholars on Polish Cinema

6-30

EN

"Passenger" was the last and uncompleted film by Andrzej Munk who died tragically in 1961. The film was finished by Munk’s friends and collaborators on the basis of the footage left by the director. It is known that Munk was not fully satisfied with all the material and planned to introduce some changes. The film combines in an unusual way two forms of "records of memory" – photography and film. In a very interesting argument Kwiatkowska juxtaposes and interprets various spaces of remembrance that can be found in the movie.

3

Conference Report

51%

Zalewska K.

Acta Asiatica Varsoviensia

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2016

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nr 29

203-206

EN

Memory in Poland of the Rescuers and the Rescued from the Holocaust. On the 30th Anniversary of Granting the Title of the Righteous Among The Nations to Sugihara Chiune, Japanese Consul in Lithuania.

4

Terénny výskum obsahov kolektívnej pamäte a hermeneutická analýza dát

44%

Murin I.

Studia Ethnologica Pragensia

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2015

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nr 2

140-151

EN

The term collective in Central European science tradition was impacted by distinctive indoctrinate but in terminology stable term meaning as f.e. collective memory. In the field research is evidence collective memory contents by interdisciplinary research theme. The article communicates an field returnable stationary research results (2008–2012) by author and students of the Faculty of Humanities, Charles University in Prague. This results are systematized by ATLAS.ti and hermeneutically analysed. Findings besides collective memory contents evidence direct to uncover relations which put link for sujet invariants and mental representations. Author exemplified contexts in which come about memory contents stabilisation in reserch locality as well frequent situations where group interpretation of socio-culture normatives arised. For finding and data verification was appliqued visual ethnography method.

5

William Cecil a jemu přisuzované politické role v britských pramenech raného novověku

44%

Beneš M.

Acta historica Neosoliensia Vedecký časopis pre historické vedy

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2018

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tom 21

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nr 2

128-150

EN

William Cecil, 1st baron of Burghley was the closest advisor of English queen Elizabeth I. from house of Tudor. However, this is not only role of William Cecil at the Elizabethan court and it is not the only role, which we can identify with analysis of British early modern age primary sources. How did the British early modern age primary sources depict first Baron of Burghley and saved his legacy for the next generation? The answer for this question is the purpose of this research.

6

Simonian Writing According to Mireille Calle-Gruber

44%

Yilancioglu S. S.

Human and Social Studies

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2014

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tom 3

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nr 3

59-66

EN

Mireille Calle-Gruber is not only a university professor and a writer, but also a leading scholar and critic of French literature and contemporary Francophone literature. Her works on Michel Butor, Claude Simon, Assia Djebar, Derrida and other contemporary writers (as well as those dealing with the history of the twentieth century literature) fill gaps in the contemporary literary history of the twentieth century. Her books not only scrutinize and analyze the writing of Claude Simon; they also shed new light on the analysis of the novel and autobiography in contemporary literature, through the memory of experience and perception

7

The ebbs and flows of the Holocaust and the Gulag memory in EU-rope. Memory dynamics in national and transnational contexts

44%

Zessin-Jurek L.

Studia nad Autorytaryzmem i Totalitaryzmem

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2018

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tom 40

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nr 3

87-103

EN

In spring 2017 the long-awaited House of European History in Brussels was opened. Its exhibition tries to tackle not only the tumultuous history of 20th-century Europe, but also the diverse cultures of memory that surround this topic. The article touches upon the problem of co-existence and mutual relationship of the two important, if not the most crucial, topics on the European mnemonic map: that of the Holocaust and that of the Gulag. The uneven and changeable development of these memory cultures has been presented in the historical perspective and analysed through the way they have functioned at the national (with Poland and Germany as examples) and transnational (EU) levels. The concluding statement encapsulates the thesis that the EU-ropean memory confl ict in its original phase, centred around Brussels, achieved its climax some years ago. Nowadays the problems of history and memory are administered mostly within the regional and, even more, national public spheres. As the focal point of European dispute, on the other hand, new — seemingly beyond historical — topics emerged. Among them is the cultural problem sparked by the mass infl ux of immigrants to Europe.

8

“The Sacrificed Army” – the Hungarian 2nd Army between memory and history

44%

Fóris Á.

Міжнародні зв’язки України: наукові пошуки і знахідки

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2021

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nr 30

304-324

EN

The fate of the Hungarian 2nd Army has a significant role in the Hungarian memory. The army was sent to the Eastern Front in 1942 suffered one of the great defeats of the Hungarian military history during the Soviet counter-offensive in January 1943. During the past almost 80 years, different narratives have emerged about it were evolved in the Hungarian public. In the paper the author shall analyse the most significant elements of these narratives. Firstly, there will be examined the genesis and underlying causes of the decision to send the 2nd Army to the Eastern front. The author counter a popular post-war myth that the Hungarian leadership sent out the Hungarian soldiers and labour servicemen with the intention of sacrifice that it could limit Hungary's involvement in the German war effort. Although the Hungarian military leadership discriminated against various social groups (primarily of individuals of Jewish descent, non-Hungarian nationalities) in military service, they did not aim to destroy them. Similarly, the higher proportion of reserve officers and lower social classes (peasantry, workpeople) in the army was misinterpreted. In the second part of the paper the author will examine the interpretations of the defeat in January 1943. As a part of this topic there will be shown how the public opinion and survivors overstated the loss data and the temperature conditions of “the Russian winter.” In addition, the author scrutinize the fighting and withdrawal in January 1943 from the viewpoint of the military discipline. Finally, he analyse the interpretations of two orders. The army commander, Colonel General Jány wrote in his order on 24 January that “the 2nd Army has lost its honour.” Although later he withdrew this order, it became the symbol of the barbarity and betrayal of the Hungarian military elite against the Hungarian soldiers. It received a different opinion on the order of the commander of the III Corps of 1 February 1943, in which Major General Stomm disbanded his formation - which was unprecedented in Hungarian history.

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Kolektivní paměť násilně vystěhovaných obyvatel: Vzpomínková vyprávění o 2. světové válce z Neveklovska

44%

Štěpánková-Komendová J.

Studia Ethnologica Pragensia

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2015

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nr 2

110-127

EN

This essay is the benefit to studying of the questions of the oral history of forcibly ejected inhabitants of Neveklov and its neighbourhoods during the 2nd World War, focused on events of the massacre in the village Křešice (Event Graun) at the end of the 2nd World War. About this region, there exists authentic testimony and this territory is fixed in the collective memory. The oral history is a highly valued literary source. Its value is in the authenticity, which is characterized by selectivity and represents another point of view. The essay brings the unique opportunity to get acquainted with witnesses of the wartime. At present this testimony is unknown or is being forgotten in the offical documents. The essay follows the researches of Jaromír Jech from the middle of the last century. So we get the view of the importance of the massacre in Křešice and forcible displacement of Czech inhabitants in a demarcated region. Result of this work is the analysis of the results obtained with the help of the modern approaches that are based on the method of the oral history, which is a part of the qualitative research, with an emphasis on general objectives and context. It also simultaneously maps over the current state, i.e. the reflection of the forcible war persecution on the present times and its viability in the future, functionality of the generation transfers and traumas.

10

Czechoslovak-Hungarian Cultural Clash in the Interwar Period. The Memory of Francis II Rákóczi in Košice (1906–1938)

44%

Kiss M. , Dergez I.

West Bohemian Historical Review

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2024

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tom 14

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nr 2

151-177

EN

Francis II Rákóczi (1676–1735) had a crucial part in the Hungarian identity. His war of independence and exile made him a national hero. One of the greatest events of the Hungarian political scene was the reburial of him and his comrades in 1906 Košice. After the First World War (1918) Austria-Hungary was dissolved and new states formed from its territory. The birth of Czechoslovakia consisted of two nations (Czechs, Slovaks) within a multiethnic state. The cold relationship between Czechoslovakia and Hungary had taken its toll on the Hungarian minority, who were insisted to join the new Czechoslovak state. One area of conflict was the politics of memory, where each of the participants (Czechs, Slovaks, and Hungarians) sought to prioritize their own narratives. It was here that the Hungarians turned to the memory of Rákóczi, which they wanted to offer to the Slovaks as well as to the Hungarian population. One of the centres of the memory struggle was the prince’s resting place in Košice. In the diplomatic struggles of the Western powers, Czechoslovakia failed to defend itself from German claims, and after the Munich Agreement (1938) other states sought to gain territory from them. Thus, in October 1938, the annexation of the Felvidék (Upper Hungary, Uplands or Horní země) to Hungary took place, when the memory of Rákóczi was also commemorated in a symbolic inauguration.

11

La expresión literaria del trauma histórico en dos novelas contemporáneas latinoamericanas: Amuleto (R. Bolaño, 1999); Insensatez (H. Castellanos Moya, 2004)

44%

López Badano C. M. T.

Romanica Silesiana

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2023

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tom 23

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nr 1

1-12

EN

Writing about memory involves balancing on the limits of the symbolizable and the unspeakable of trauma – individual and social – putting together puzzles in which some of the pieces do not fit and others have been lost. The aforementioned novels, both within the imaginary of disenchanted impotence in the face of the reconstructive faculty of memory in personalities devastated by state violence, share traits that connect them: both confront the difficulties of a pathological narrative by posing it from a delirious and/or dislocated discursive inquiry in which the authors sustain the literary possibility of anamnesis. The aim of this article is to explore the fragmentary, fetishizing construction of the paradoxes of memory in the aesthetic constitution of both novels as the only possible support in front of the irreparable damage produced by social subjugation. Through stylistic traits, the reconstructive, salvific viability of traumatic memory is renewed, and at the same time put into crisis.

12

Alba Zaluar: A Posthumous Tribute

44%

Bruno R.

Language, Discourse & Society

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2019

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tom 7

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nr 2

183-185

EN

In memory of ...

13

La mémoire du Moyen Âge et Thomas Owen

39%

Ribémont B.

Studia Romanica Posnaniensia

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2016

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tom 43

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nr 4

91-102

EN

Thomas Owen is well-known as a master of the fantastic 20th century’s short stories. This genre is often influenced by the medieval fiction, in its atmosphere, ‘colour’ and moreover throught precise figures, situations and, sometimes, well specific works, specially arthurian. The case of Owen offers the particular interest of not really a rewriting or even a genuine reception but, supported by a knowledge of some texts, of a literary construction founded on the author’s appreciation of a ‘spirit of the Middle Ages’.

14

Sulle tracce perdute dell’urogallo: un approccio ecocritico a Stagioni di Mario Rigoni Stern

38%

Bedin C.

Studia Romanica Posnaniensia

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2022

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tom 49

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nr 3

75-91

EN

Stagioni (2006) is the last work by the Italian writer Mario Rigoni Stern and it is like an autobiography that delves into the most important phases of his life and explains his relationship with history and, above all, with nature, the focal point of his literary production. In this contribution, starting from an overview of some theoretical fundamentals of ecocriticism, such as Pastoral and Wilderness, and considering the relationship between ecocriticism and literary studies, we intend to analyze Rigoni Stern’s environmen- talist approach, placing Stagioni in the more complex ecological discourse that the writer built in his long literary career.

15

Remembering and Forgetting as a Narrative Mode in W.G. Sebald’s “Austerlitz”

38%

Aslan E.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

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2015

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nr 4/2015 O Młodej Polsce mniej znanej

183-190

EN

The relationship between memory and literature is a complex and curious one. While memory implies a relation with the past, with the factual, literature’s realm is the fictional. They, nevertheless, implicate each other: while re-membering the past which is what is gone and not there anymore always entails mediation and a degree of fictionality, we can consider literary language as acting out psychic processes through metaphor, concealment and temporal dislocation. The novel that I deal with in this paper is Austerlitz by W.G. Sebald which recounts the story of a series of chance encounters between two travelers – the narrator and Austerlitz – in a time span of thirty years. As they traverse Europe, conceived in the text as a landscape in which cultural, natural and personal history intermingle, their paths converge several times and it is in their lengthy talks that Austerlitz’s traumatic past gradually emerges. Sent to England by his parents on a kindertransport just before the beginning of the Second World War and raised in Wales by foster parents, Austerlitz pursues a life unaware of his real identity. In this paper, focusing on the relationship of forgetting and remembering with storytelling, I explore how the mnemonic processes are represented in the text with an emphasis on the effect of the mechanisms of repression on the way the narrative is told.

16

Roles and Mechanisms of Docosahexaenoic Acid (DHA) in Neurodevelopment, Neuronal Functions, Learning and Memory

38%

Evbuomwan S. A. , Omotosho O. E. , Mgbojikwe I.

World News of Natural Sciences

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2022

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tom 40

104-119

EN

Docosahexaenoic acid (DHA) is an omega-3 fatty acid which is a major constituent of the brain, retina and skin in terms of structure. DHA can be produced from the metabolic synthesis of alpha linolenic acid (ALA) or gotten from breast milk, fatty fishes, or oil from algae. Studies have shown that DHA is an essential nutrient for normal functioning of the brain. It is the major omega-3 fatty acid present in brain tissues and is known to have effects on neurotransmitters, synaptic transmission, and signal transduction. Also, certain DHA metabolites are biologically active molecules that protect the tissues from oxidative injury and stress. DHA is also known to carry out important membrane neuronal functions such as Phospholipid synthesis, membrane fluidity, neuronal survival, regulation of gene expression and modulation of enzyme activity in the brain. Therefore, DHA needs to be taken at developmental stages of human life such as period of pregnancy, lactation and even childhood for proper development and functioning of the brain.

17

The (Playfully) Melancholic Still Life of Contemporary Painting

38%

Woodley F.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

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2018

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nr 9 "Memory, Melancholy and Nostalgia"

173-188

EN

This paper considers the ways in which contemporary painting of still life accepts the address of its tradition. Tradition is considered here as cultural memory reiterated and transformed over time. The means by which contemporary artists work with, and against, tradition are explored through ideas of reverie, play and material process. Melancholy is a characteristic of the genre of still life, one that crosses time, and is thus given particular attention in relation to traditional and contemporary still life. Whilst Part I is an exploration of the themes and issues described above, Part II (case studies) is an attempt to exemplify them through the work of three contemporary British painters: Alan Salisbury, Emma Bennett and G.L. Brierley of whom it can be said that they paint playfully melancholic paintings of still life.

18

Images to Remember: Nostalgia and Hegemonic Identities in Italia 90: The Movie

38%

Salas-Murillo B.

Review of International American Studies

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2022

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tom 15

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nr 2

109-127

EN

The reconstruction of the past and memory is examined in the feature film Italia 90: The Movie (2014) by Miguel Gómez, which depicts the first participation of a Costa Rican team in a World Cup. The analysis includes the narrative, visual, and sound operations with which the past and memory are recreated (... or created), as well as the ways in which the story involves the viewers, particularly those who remember the episode. It is explained that, although the story resorts to certain topics of sports cinema, it is presented more as an adventure of the community, which would eventually include an entire country, and favors the exploration of the intimate over the epic. Italia 90: The Movie appeals to nostalgia, through recognizable images and sounds, as well as figures anchored in the hegemonic Costa Rican imaginary (such as the “common peasant”), to narrate an episode that, in addition to being central in the history of sports in Costa Rica, it is among the events that symbolically mark the country's entry into the globalized world.

19

Vintilă Horia and Trans-Temporal Travel

38%

Crăciunescu P.

Human and Social Studies

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2015

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tom 4

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nr 3

109-122

EN

The Romanian-born European writer Vintilă Horia - whose birth centenary is celebrated this year - was a genuine searcher of truth. His entire work pleads for transgressive-integrating knowledge, in opposition to binary logic and scientism; it is the privileged space of articulation between cognition, creation and gnosis, between the apophatism of science, mystic apofatism and artistic apofatism. Although much less known than the trilogy of exile - Dieu est né en exil (1960), Le chevalier de la résignation (1961) and ¡Perseguid a Boecio! (1983) - the small-sized novel Le voyage à San Marcos (1972) acts as an exemplary attestation to this pompous conjunction. The current article focuses especially on the text’s trans-temporal valence

20

„Biały klawisz, czarny, czarny, biały…” czyli jak rozwiązać muzyczne łamigłówki z przeszłości. Tego lata, w Zawrociu Hanny Kowalewskiej

32%

Krajewski P.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2019

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tom 52

|

nr 1

231-248

EN

In Tego lata, w Zawrociu, Hanna Kowalewska presents a multi-layered story about the fate of the young heiress to the family fortune, called Matylda. This turns out to be an attempt to face the past, history and music that describe the mythical space of Zawrocie. The mysterious bond that combines music and nature complements the discovered puzzles of the past. Diary cards, old photographs are elements of the game which Matilda joins.

PL

Hanna Kowalewska w Tego lata, w Zawrociu prezentuje wielowątkową opowieść o losach młodej dziedziczki rodzinnej fortuny – Matyldy. Okazuje się to próbą zmierzenia się z przeszłością, historią, muzyką, które opisują mityczną przestrzeń Zawrocia. Tajemnicza więź łącząca muzykę i naturę stanowi uzupełnienie odkrywanych zagadek z przeszłości. Kartki pamiętnika, pożółkłe fotografie stanowią elementy gry, w którą włącza się Matylda.