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Does the Artist Need to Be Present? The “Paradigm of Visibility” and Art Practices in Public Space

100%

Białkowski Ł.

2017

nr 30

111-119

The thesis of my paper is that art participatory practices in public space have a paradoxical potential to avoid a paradigm of visibility. What I call the paradigm of visibility is a formula of social presence of art which is based on a necessity of occupying a certain physical or symbolical space and an effort to sustain it. This kind of public presence of art is traditionally considered to be a guarantee of its value in terms of both artistic and social legitimisation. A question arises if this formula has an alternative. It seems that participatory art practices in public space – focused on production of objects and searching for social impact and social efficacy – can formulate a different model of presence of art (of its production and distribution) than object-based art.

IL VALORE DELL’INCONTRO. ALCUNE CONSIDERAZIONI SU THE ARTIST IS PRESENT DI MARINA ABRAMOVIĆ

89%

Woźniak K.

nr 2(22): Literatura i Język

123-129

The purpose of the article is to interpret Marina Abramović’s project – The Artist Is Present – within the theories of liveness and encounter. First of all, we define post-mediatic culture referring to Piotr Celiński’s proposals and the term ‘encounter’ according to Adam Węgrzecki. Finally, we propose some considerations on the encounter as a methodological approach to the phenomena whose main characteristic is liveness (Peggy Phelan and Philip Auslander). Finally, we pass to the analysis of the performance of Marina Abramović The Artist Is Present based on the considerations made previously.