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2 Musicologica Slovaca

2 2013

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KRESÁNKOVA KONCEPCIA „HUDOBNÉHO MYSLENIA“ A MOŽNOSTI JEJ VYUŽITIA PRI REFLEXII HUDBY 20. STOROČIA

100%

Štefková M.

Musicologica Slovaca

2013

tom 4 (30)

nr 2

246 – 264

Kresánek’s trilogy Fundamentals of Musical Thinking (1977), Tonality (1982) and Tectonics (1994) is based on an original conception of musical thinking. He understands the basis and development of musical thinking as a cooperation of three components: sonoristics, dynamism and thematics. For clariﬁcation of Kresánek’s ideas, the author points to parallel ideas in the concept of musical thinking of Hans Heinrich Eggebrecht. Taking as her foundation Kresánek’s theory of an analogy between the phylogenetic development of the musical thinking of mankind and the ontogenetic development of musical thinking in the individual, the author presents a conception of the cycle Musica ricercata (1951 – 1953) by György Ligeti. Based on an extreme reduction of the material, Ligeti’s work represents a noteworthy compositional concept, whose poetics “copies” the evolution of musical thinking.

OD HUDOBNEJ HISTÓRIE K HUDOBNEJ TEÓRII

88%

Lengová J.

Musicologica Slovaca

2013

tom 4 (30)

nr 2

197 – 208

The most important works by Jozef Kresánek (1913 – 1986) include the scholarly trilogy Základy hudobného myslenia (Fundamentals of musical thinking) (1977), Tonalita (Tonality) (1982) and Tektonika (Tectonics) (1994). This sequence gives proof of the lifelong effort he devoted to music theory as a musicological discipline, which enabled him to explore, within the category of musical thinking, the developmental laws of European art music in all their complexity. Jozef Kresánek began as a music historian, and in his scholarly studies, monographs, surveys and musical editions he devoted himself especially to the problems of the modern history of Slovak music from the 18th to the 20th century. In terms of methodology, he applied a synthesis of the music-historical and music-theoretical approaches. This paper makes a close analysis of the lasting contribution, as well as the period residues, in the conception of two of his works: Dejiny hudby (History of music) (1942) and Vznik národnej hudby v 19. storočí (Birth of the national music in the 19th century).