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Content available remote SPOMIENKOVÉ SKLO 19. STOROČIA V ZBIERKACH MÚZEA MESTA BRATISLAVY
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Bratislava City Museum (founded 1868) has a relatively numerous collection of historic glass. The article analyses its commemorative glass from the 19th century. From a manufacturing technique this collection may be divided into two fundamental groups: colourless transparent glass decorated by glyptic techniques (cutting, carving or engraving) and coloured glass decorated by painting and gilding, often also in combination with engraving. A larger group of commemorative glass dates back to the period of Empire and Biedermeier (1st half of the 19th century). A number of artefacts were originated in the middle of the century or in the period of neo-styles (2nd half of the 19th century). To the basic characteristics of the commemorative objects belongs a combination of pictorial motives with texts - inscriptions, names (generally in German or Hungarian language) or initials. To the most interesting and qualitative examples belong coloured glasses with decoratively engraved inscriptions, individual letters being created by flowers and leaves. From the viewpoint of decorative motives the author divides the analysed collection into following groups: motives of Bratislava, health resort architecture, names and initials, religious and allegorical motives, symbolic motives and curiosities.
EN
The article presents organisational solutions for the protection of museum collections and cultural heritage sites using the example of the state of Vermont (USA). Also the solutions are described adopted by US nationwide agencies established to respond to natural disasters. In addition, the article introduces the mechanisms and organisational and legal solutions for managing information in connection with an emergency situation, taking into account the needs for protecting museum collections and objects important to the culture and history of the residents of the state of Vermont. The article was prepared on the basis of expert interviews, analysis of the literature and current laws and regulations.
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tom 26
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128 - 156
EN
The study presents the hand and rifle grenades registered in Collection IX - Ammunition from the collection of the Institute of Military History Bratislava - Museum Department Svidník of the Military History Museum Piešťany (MO Svidník VHM). By briefly reviewing the history of the development of hand grenades and a few categorisations, we will also define the concept of hand and rifle grenades. The study introduces individual types of hand and rifle grenades registered in the collection of MO Svidník VHM through a brief history of their development and production. Regarding the description of the grenades we focused on the basic technical description of the grenades, what they consist of, what materials they were made of, etc. An important part of the grenade descriptions is their method of use or functioning, which completes the information and clarifies the constructional peculiarities of individual types and at the same time points out the advantages and disadvantages of individual grenades. The study is aimed at providing a brief overview of the types of hand and rifle grenades registered in the collection of the MO Svidník VHM.
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tom 6
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nr 2
131 – 140
EN
Clay is a very widespread and easily mouldable material. People have used it from the very beginning for their needs. We can use clay to make various useful, decorative or iconic artefacts. However, clay has found the most frequent use in the manufacture of dishes. The clay products are the most common evidence around the world that helps to determine the stages of the societal development. This article provides information about the history, production method, and assortment of clay products from Tajov village. The ceramics from the village of Tajov were functional, original and extremely nice and they are a proof of the ability and creative expression of our ancestors. The Sedilek family was the last family in Tajov known to perform this craft.
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tom 24
80-91
EN
The article informs about the exhibition “Mērija's Journey. The Grosvalds Family Story” at the Latvian National Museum of Art (06.09.-24.11.2019) and the docudrama “Mērija's Journey” (2018). Both projects were based on scientific research about an important figure in Latvia's cultural history – Mērija Grīnberga (1909-1975). She was an offspring of a wealthy family and, being a museum employee, accompanied the values of Latvia's museums evacuated by the Nazi regime to the present Czech Republic; when the Red Army captured the territory, she guarded these values on their way back to the Soviet Latvia, thus saving a large part of the country's history from destruction and oblivion.
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