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Rawenna “Snem Malowana.” O kreacyjnych i onirogennych właściwościach miejsca

100%

Wydrycka A.

Białostockie Studia Literaturoznawcze

2013

tom 4

303-317

The article interprets lyric poems, the subject of which is the last capital of the Western Roman Empire, Ravenna. It was treated as a place serving to define identity (Bronisław Przyłuski’s poems), self-presentation (Lechoń’s lyrical poem), and particularly as w place of oneirogenic nature (poems of Lechoń, Różewicz and others). The number of Polish works connected with Ravenna demonstrates a perennial fascination with the city. Two threads recur in them: Dantean and that emphasizing the art of mosaic, reaching the heights of metaphysics.

VITA BREVIS, ARS LONGA – APPLIED ART AND MODERNIST ARCHITECTURE IN POLAND: TRANSFORMATION OF APPROACH TO APPLIED ART AND CONTEMPORARY PROTECTION

100%

Wróblewski S.

Muzeológia a kultúrne dedičstvo

2022

tom 10

nr 2

61 - 76

The main aim of the present paper is to present the latest achievements in the process of protection of the applied art which was a part of post 1950s architecture in Poland. During the period 1945–1990 many buildings were adorned with different applied art forms: sgraffito, wall paintings, mosaics and other art techniques. The research focuses on the transformation of the society’s approach to applied art after a period of neglect and different forms of protection. In many cases applied art forms like mosaics and ceramic artworks became longer lasting elements than the architecture which they originally adorned. After the demolition of modernist constructions, artworks are frequently transferred to new architecture. This process proves that vita (architecturae) brevis, ars longa.

DALŠÍ GOTICKÁ MOZAIKA NA PRAŽSKÉM HRADĚ? MOZAIKOVÉ SKLENĚNÉ KOSTIČKY Z KAPLE SV. ANNY/P. MARIE V KLÁŠTEŘE SV. JIŘÍ

86%

Zeman A. , Frolík J. , Langrová A.

Študijné zvesti

2009

nr 46

17 - 21

Ten glass tesserae were found during the archaeological excavations in the St. Anne Chapel in 1959. The tesserae are dated into Gothic period (between the middle of the 14th cent. and the year 1541). The glass is of better quality than glass of the mosaic of Last Judgement on the St. Guy’s Cathedral dated to the 1370 and 1371 years.