The article analyses a fascinating phenomenon of a meta-cultural interpretation of social events, which is emerging in the contemporary world. The author first presents two categories of 'culture of Cultures', which function as premises for a meta-cultural debate concerning the contemporary life: a meta-culture of similarities (or modernity), and a meta-culture of differences. Then, he confronts the two cultures with a third category, self-interpreting entity, created by a meta-culture of newness which is completely independent of an anthropological notion of culture (a source of the first two categories of meta-cultures).
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