The paper is an attempt at showing different ‘realisms’ in the oeuvre of Marek Włodarski (Henryk Streng), before 1939 associated with the Lvov group artes, while after 1945 participant of both the famous 1 st Exhibition of Modern Art in Kraków (1948) and the 1 st National Exhibition of Fine Arts in Warszawa (1950), the latter manifesting Socialist Realism. The analysis evolves around the two title paintings: Demonstration of Paintings and Barricade which have their two versions: one painted before and one after the war.
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.