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K ASPEKTOM POETIKY KĽÚČOVÉHO TEXTU 60. ROKOV – ŠIALENÝ MESIAC J. ONDRUŠA

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Matejov F.

nr 3

208 – 227

The subject of the paper is Šialený mesiac /The Mad Moon/ by J. Ondruš as a key poetic text of Slovak lyric written in the 1960s – placing the accent on the aspects of his poetics and the ways of identifying them. The paper evolves in several steps. 1. It takes notice of the updates of surreal inspirations namely in the 1960s. 2. It confronts the versions of the poem published in a magazine and in his book debut. It takes notice of certain corrections of eccentricity of the subject-character. 3. It presents an attempt at mythological and philosophical, and intertextual placing of the lunar and lunatic motifs with regard to The Mad Moon. 4. It shows (in reference to P. Ricoeur) the progression of „stain“, „mistake“ and „guilt“ as the indices of fatal human deficiency. 5. The actual critical reading of the poem follows the oscillation between the factual physical everyday dimension of the course of events, and the emphatic, „lunatically“ excessive one,: the „mad moon“ as a cipher of human and poetic existence, as a cipher of poetry itself, its magic power and deficiency.

METAFORA V MODERNEJ A SÚČASNEJ POÉZII A MOŽNOSTI JEJ INTERPRETÁCIE

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Rédey Z.

nr 3

5 – 18

The article is focused on the role of metaphor in 20th- and 21st-century poetry, its aesthetic, semantic as well as cognitive function, measure and way of its presence in the lyrical text – the share of metaphor in the creation of a general aesthetic value and sense of the poem. The author is interested in possible interpretations of poetic metaphor not only within traditional descriptive-classifying poetological or rhetorical-stylistic interpretive models, but also in a methodologically wider context, e. g. also in the light of current conceptually and cognitively-based theories. In this sense, he concentrates on two main aims or problem areas: 1. an attempt to reinterpret the classically understood poetic metaphor and its traditional theoretical understanding on a synecdochically selected example from Slovak literary modernism or post-symbolism, Novomeský’ s poem “The Thousand and One Nights” (“Tisíc a jedna noc”); 2. in the background, the problem and specificities of metaphor in recent and most recent poetry via concrete illustrative textual extracts from a more widely-understood current author (Štrpka’ s text). The study also touches upon the questions of the pragmatics of metaphor, as a way of constituting the meaning of the poem.

KONCEPTUALIZÁCIA NATURIZMU S PRIHLIADNUTÍM NA MODERN VÝSKUM LITERATÚRY A LITERÁRNEJ KOMUNIKÁCIE

86%

Kuzmíková J.

nr 6

628 – 644

The study presents the historical development of the conceptualisation of Slovak naturism, a literary movement of the 1930s and 1940s, with an overlap into the totalitarian period, in the context of modernist theoretical approaches such as structuralism, (Marxist) social history of literature and psychoanalysis, and also incorporates the perspective of contemporary cognitive literary science. Naturism is also compared with other literary movements of the period and its position in the body of so-called “lyricised prose” is clarified. The comparisons show that the intervention of lyricism into naturistic prose is not determinative, since the domain of naturism as prose with overt epic dynamics is the unconscious. Unconscious elements are incorporated into the structure of naturist work both deliberately, aligning with and challenging contemporary psychoanalytic theories. From the perspective of modern cognitive (literary) studies, however, a broader range of unconscious affective circuits in the brain can also be considered, which serve as foundational elements within naturistic prose. Cognitive science findings support a view of the conception of naturism as a relatively distinctive developmental innovation of Slovak interwar prose.