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EN
Drawing on the results of a qualitative study conducted in twelve Czech cities, the authors discuss how ‘problematic localities’ are represented in the narratives of local politicians and public officials. They analyse the ways in which these localities are categorised and how these categorisations are used to legitimise the specific treatment of these places and their inhabitants. City governance and administration are considered to be a part of a modern tradition of urban planning and city management, which is analysed in the first part of the study. The second, empirical part shows how ‘common sense’, ethnicised attributes are activated and applied to the localities and their inhabitants in the narratives of politicians and public officials. These attributes are associated with a notion of impurity, which leads to the need for surveillance, discipline, or purifi cation. From their analysis of these narrative practices the authors suggest that the borders of entitlement and the borders of responsibility are constructed. The borders of entitlement define who deserves the care provided by a state or a city; the borders of responsibility then delimit the symbolic space in which the state or city is perceived by its representatives to be responsible for the situation of its inhabitants and citizens. A crucial role is played in the process of border formation by (1) the application of ethnicised categories and inconsistent definitions of the objects of municipal and state care and by (2) the forms of ownership that apply to the housing stock in which these objects, that is, people, live.
ARS
|
2010
|
tom 43
|
nr 1
85-118
EN
The thematization of topic of the history of art in Central Europe as a specific art historical phenomenon is a fascinating and at the same time quite dramatic story. The paper presents an attempt to outline the main trends, which shaped research into the history of art in the region: e.g. national history of art, cosmopolitanism as scientism, global history of art as racialism, nationalists versus cosmopolitans, from modernism to nationalism, from internationalism to expansionism, from nationalism to etatisme, from etatisme to the trans-national history of art, the idea of macro-regions (from Eastern to Central Europe), national history as a multi-cultural communication, and 'Kulturtransfer' and East-Central Europe.
EN
The contemporary socioeconomic upheavals push societies to make a new link between the local situations and the global situations without crossing by the stage formerly necessary of the national. There are two spatial dimensions that we find perfectly in the border zones at the same time limit space in the world of States but opening space in the globalized system. Africa is a continent where the border spaces play this economic and social role more than politics. Can the socioeconomic activity carry politics? The recomposition of the cross-border public action essentially in the field of the town and country planning could be the federative element missing to the cross-border territorialization, and, more, the transformation of the State.
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