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O zgubnym wpływie księżyca w literaturze japońskiej VIII–XII w.

100%

Bednarczyk A.

2013

nr 1-2(245-246)

72-83

In the Japanese court culture (8th to 12th century), the beauty of the moon was often an object of admiration and inspiration for poets. The magic of moonlit nights (tsukiyo) as ideal scenery for a tryst and amorous elation made the moon to become an inseparable element of courtly love. In this article, however, the author discusses symbolism of the moon in an entirely different meaning, namely a selenophobic aspect of its perception. Ancient Japanese literary works reveal that there existed a faith in a baneful influence of the moon, a kind of taboo forbidding people to gaze on the moon in certain circumstances. An overview and analysis of selected passages allow us to answer the question to whom and when this taboo applied and what were the consequences of breaking it.

Marta Wesołowska, Muzyka i muzyczność prozy japońskiej okresu Heian (794–1192), Warszawa 2016 Oficyna Naukowa, ss. 344. ISBN 978836436374

63%

Bednarczyk A.

tom 63

nr 2

129-136

Recepcja amerykańskiego jazzu w Japonii: zarys problematyki

63%

Kwaczyńska O.

nr 1(44)

35-49

The following article presents the history of Japanese jazz from the first musical contacts to contemporary successes and problems of the jazz music market. For the development and evolution of jazz in Japan, an important role was played by the presence of American military forces in the Philippines (even before the post-war occupation of Japan), which as an American dependent territory had the opportunity to remain in cultural contacts with the United States, where jazz was born at the beginning of the 20th century and became one of the most popular forms of music. Beside the contact with Filipino musicians, who were the first from whom the Japanese learned jazz, the establishment and development of jazz cafes (jazzu-kissa) were also important for the development of jazz in the Land of the Cherry Blossom, which played a huge role in the strengthening the interest in jazz and the shaping of musical tastes. The article also shows the influence of jazz on the formation of a modern, American-based lifestyle of middle-class representatives in Japan. In addition, the article discusses the complex issue of the authenticity of Japanese jazz in relation to American jazz and the influence of world-famous Japanese musicians, such as Toshiko Akiyoshi, on overcoming a given stereotype. The aim of the article is to show the universality and at the same time the locality of contemporary Japanese jazz as well as to show what the specificity of jazz in Japan is.

Prawo, państwo i religia w Japonii

51%

Kość A.

tom 4

58-73

Considering relation between law, state and religion in the Japanese culture, the problem here is not so much the concept of law itself or the concept of state, but the concept of religion. For sure there is no problem with the definition of Christianity. In the history of Japanese though is hard to distinguish philosophy from religion. The classic example can be Shinto, which can be considered as religion and as philosophy. In the Japanese context as religion will be counted Shinto, Confucianism and Buddhism. After the historic presentation of each religion and showing their influence on social and political life, in this article was presented relation between state and law to religion in Constitution Meiji (February 11, 1890) and in the Constitution Showa (May 3, 1947).

Rozważając relację prawa, państwa i religii w kulturze japońskiej, nie mamy problemu z podaniem definicji państwa czy prawa, lecz z pojęciem religii. Na pewno nie będzie żadnego problemu z podaniem definicji chrześcijaństwa. W historii tradycyjnej myśli japońskiej trudno jest jednak wyraźnie oddzielić filozofię od religii. Klasycznym przykładem jest shintoizm, który nie jest ani wyłącznie religią, ani wyłącznie filozofią. Oprócz shintoizmu w historii kultury japońskiej ważne znaczenie miał również konfucjanizm i buddyzm. Dlatego też po ich historycznym przedstawieniu i ukazaniu wpływu na życie społeczne i polityczne w artykule tym została ukazana relacja państwa i prawa do religii w Konstytucji Meiji (11 lutego 1890) i w obecnie obowiązującej Konstytucji Showa (3 maja 1947).