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„Pisarz-Rodak” czy „homo-duplex”? Joseph Conrad czytany na nowo

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Chomiuk A.

Białostockie Studia Literaturoznawcze

2012

tom 3

249-255

The article is a critical review of the book Conrad a Polska comprising analyses devoted to Conrad's Polish heritage by academics of various nationalities. The author emphasises the fact that a variety of theoretical and methodological perspectives and research points of view from which the writer's biography and work are shown allows the refreshing of Conrad's portrayal as a man torn between various identities and worlds. In her opinion, the Polish reader can also be interested in using the Conradian prism for showing the particular characteristics of the external reception of our culture, emphasising those of its features and elements which form the image of Polishness abroad.

Współczesne przynaglenia (o Amy Foster Conrada)

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Felberg K.

Świat i Słowo

2012

tom 10

nr 1(18)

48-68

If modernity dismissed the author, whose position has been traditionally very strong, and called up the “subject” in his place, it is possible to claim that post-modernity introduces an even more drastic reduction by degrading the author to a body. As far as writing is concerned, such a process would consist of reducing, firstly, the modern grand work to a postmodern text, and later – to an artefact, a trace of that which exists. The return of the author, who has been repressed in modernity, is a fundamentally traumatic affair, for it entails the surfacing of that which, though uncanny and inexplicable, is still overwhelming. This situation provokes two characteristic responses that define it. On the one hand, it is possible to observe an attempt to find one’s way according to traces, tropes, wounds and signs of that which is mute and excluded. I try to show how this strategy works on the basis of Joseph Conrad’s short story Amy Foster, in which the key categories of European modernism are led to a logical conclusion, but in my opinion are never transgressed. On the other hand, some writers try to reclaim both the possible and impossible meanings from the noise of speech – a scattering of voices and amalgamations of diverse languages. I illustrate this theme with the help of contemporary poetry, investigating two of its strands: the apocalyptic, modernist poetry of Andrzej Sosnowski, and the poetry of Joanna Mueller, who proposes a radical reduction of the author to the last possible referent – the body.