The authors treat distinctly the concept of right and liberty, in the sense of behaviours, behaviours guaranteed to satisfy some needs by the coercive force of the state. Reveals and criticizes the inconsistencies in the semantics and the significance of the two terms in some normative acts, including their implications in theory and practice, also presenting some proposals of law ferenda related to art. 10 of the ECHR. The authors claim that even in the Universal Declaration of Human Rights we find phrases with different meanings for the words of justice and freedom. Different, inconsistent meanings of this kind also appear in art. 5, art.9, art.10, art.11, art. 17 of the European Convention on Human Rights. Using the phrases: "proclaimed rights and freedoms” and "rights or freedoms" as within the Convention, would seem as two different concepts. Instead, from the phrases "the right to freedom" and "this right includes freedom", occurs other meanings and semnifications for the concepts of justice and liberty, that appears as inconsistency. “Summarising, the authors consider that both in theory, practice and especially in the law it is necessary to use distinctly the two terms of “right“ and “freedom”.
Autor artykułu przedstawia to, w jaki sposób forma istnienia dzieła literackiego wpływa na jego interpretację. Koncepcja dzieła otwartego scharakteryzowana przez Umberto Eco zestawiona z nowymi formami literatury ukazuje przekształcenia, jakie zachodzą w percepcji, lekturze i interpretacji tekstu. Wykorzystując metodę porównawczą do analizy poszczególnych elementów teorii dzieła otwartego w odniesieniu do cyfrowej rzeczywistości, wskazano istotne zmiany zachowań czytelniczych, jakie pojawiają się w konfrontacji koncepcji Eco z nową formą czytelnictwa 2.0. Ma to na celu zobrazowanie, jak zmienia się oblicze samego czytelnika.
EN
The author of the article presents how the manner of existence of a literary work affects the way of interpreting it. The concept of the open work characterized by Umberto Eco juxtaposed with new forms of literature shows transformations that happen in perception, reading and interpretation of a text. Using a comparative approach to the analysis of particular elements of the theory of the open work in relation to digital reality, there are indicated significant changes in reading behaviours which emerge in the confrontation of Eco’s concept with the new form of reading 2.0. The aim is to illustrate how the character of the very reader changes.
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