Wyniki wyszukiwania - Biblioteka Nauki

1

Ironia a dyskurs satyryczny

100%

Sidoruk E.

Białostockie Studia Literaturoznawcze

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2013

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tom 4

205-214

EN

The subject of analysis in the article is a relation between irony and satire understood as discursive practice. Putting under scrutiny the concept of the satirical text proposed by Paul Simpson in his work On the Discourse of Satire, the author argues that irony understood as a form of expression is not a constructive element of satire.

2

FIGURATIVE SPEECH AS A REPRESENTATION OF MEANING

88%

Heller D.

World Literature Studies

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2011

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tom 3 (20)

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nr 3

62 – 71

EN

Complexity and plasticity of speech is manifested inter alia by the fact that there are not a few speech phenomena that cannot be understood literally. One of the tasks of contemporary psychology of speech and cognitive psychology is to reconstruct the structure and the process of the production and reception of figurative speech. The most important forms of the figurative speech are metaphor and irony. According to the classical rhetoric a metaphor substitutes the actual meant word another whereas the substitutive or comparative theory comprehended a metaphor as an analogy. According to the interaction theory the metaphoric meaning is generated by the mutual incidence of two ideas. As concerns the irony it is similar. The model of the process of understanding the figurative speech assumes first the reception of the literally meaning whose incoherence with the context influences the inference of actually meant (Searle). Gibbs created the contradictory model of “direct access” that assumes understanding the figurative meanings without the regress to literally meanings. Nevertheless, there is still open question left: What happens to the literally meaning in the end of the process of understanding the figurative expression? Neither conception of synchronous being aware of literally and non-literally meaning does not make it possible to explain the emotional and motivational dimensions of esthetical liking, endearment, and favour the research of which often starts from the figurative speech. The author ś contribution focuses on the figurative speech as a representation of meaning.

3

Satyra jako praktyka dyskursywna

88%

Sidoruk E.

Białostockie Studia Literaturoznawcze

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2012

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tom 3

241-248

EN

The article constitutes an analysis of the concept of satire as a discursive practice proposed by Paul Simpson. What the author considers the main forte of Simpson's model is its definition of the nature of satire without references to the categories of “satirical intent” and the “ideology” of the satirist. The author claims that such an approach allows a new perspective on the way literary satire is perceived.

4

DESIRE TO BE AN ARTIST (BOZENA SLANCIKOVA TIMRAVA: Great Master) (Tuzba byt umelcom (Bozena Slancikova Timrava: Velky majster))

88%

Suchankova M.

Slovenská literatúra (Slovak Literature)

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2010

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tom 57

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nr 4

319-330

EN

In the novelette Velky majster (Great Master) Timrava got rid of the conception of nationally enthusiastic country gentlemen and artists. She created rational types of artists for whom creative work is a serious occupation. She removed the bondage of the pressure caused by nationally reviving ambitions. She refused sentimental production of Romanticism presented by Vajansky and his epigones. She created characters, whose lives are influenced by ambitious motives, and contaminated by laziness social uselessness, parasitism. The main character steps on the pathway of self-transformation; this process is usually a part of the theme of being set free from self-complacent and became more authentic. She is not only ironic in her depiction of the creative struggle of artists; she shows a lot of empathy. Contrary to Vajansky Timrava destructs cliché, she follows up artistic process itself. Timrava want to express what is genuine, even in a case that she shows also unflattering side of spontaneity. Her approach revives the spontaneity itself that way. This method shows different inspirational resources for artistic work. Timrava stresses subject of text. She lets the main hero to declare the most critical opinions. As a result of that, the auctorial subject is in the background without any intervention into the text. This method enables Timrava to change the view on ideologically burdened character of artist and stress also negative view on artist by city people.

5

"Žvást na žvást?" Interpretace Iz 28,10.13 v kontextu knihy proroka Izaiáše

75%

Vlkova G. I.

Studia theologica

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2004

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tom 6

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nr 3

1-13

EN

This article offers an interpretation of difficult words 'caw läcäw qaw läqäw' in Isa 28,10.13. Rendering the words as a gibberish utterance of drunken priests and prophets or as a children's babbling is to be refused. It seems better to interpret the words as an imitation of some incomprehensible speech of foreigners in Jerusalem. In Isa 28,13, the prophet surely imitates the language of Assyrian conquerors, whose advance presents God's sarcastic response to His people for the lack of the trust in the time of Sennacherib's invasion. As for Isa 28,10, there are two possibilities of interpretation. The utterance could have the same meaning as it has later in Isa 28,13. But it is also possible to consider the unintelligible pronouncement in Isa 28,10 as a parroting of Ethiopian envoys (cf. Isa 18,2.7), who came to Jerusalem in attempt to obtain support for the anti-Assyrian coalition, which was resolutely criticized by Isaiah. In this case, Isa 28,10-13 would be regarded as an excellent example of Isaiah's art of irony.

6

HISTORY, PARAHISTORY, IRONY - SPANISH HISTORICAL NOVEL IN THE POSTMODERN TIME (Historie, parahistorie, ironie - spanelsky historicky roman v dobach postmoderny)

75%

Chalupa J.

World Literature Studies

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2010

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tom 2 (19)

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nr 4

12-24

EN

The paper deals with the methods and the strategies used by Spanish authors of the post modern historical novels to relativize the historic Truths. Instead of the proved dogmatic categories, serving as supports of the traditional historical novel for many generations, some authors, as E. Mendoza, J. Eslava Galan or A. Perez-Reverte use original post modern approaches, e.g. the generation of a so-called 'parahistory', an ironical point of view, a tension between the 'classical' form and the 'modern' contents, demythization etc. This is mainly due to their strong scepticism towards the 'great' ideologies presented as recipes for the salvation of the world and mankind. Spanish post modern authors reject the role of the writer as 'the conscience of the nation' and deliberately offer only partial view of the subjective validity. Their efforts result in highly original historical novels in which nothing and nobody are taken quite seriously, yet the texts still maintain a relatively high informative value of the complex and ambiguous human history.

7

KIERKEGAARD’S SOCRATES, THE CORSAIR AFFAIR, AND THE MARTYRDOM OF LAUGHTER

75%

Burgess A. J.

Filozofia (Philosophy)

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2013

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tom 68

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nr 1

38 – 49

EN

This essay follows Kierkegaard’s treatment of the concept of Socratic irony through the course of his whole authorship, starting with his dissertation (1841) on Socratic and Romantic irony. Later, in 1846, Kierkegaard’s pseudonym Johannes Climacus mounts a critique of that dissertation in Concluding Unscientific Postscript, sharpening Kierkegaard’s earlier definition of irony through the concepts of jest and earnest. The focus of this essay, however, is on Kierkegaard’s late period, after 1846, when the satirical Copenhagen journal The Corsair, mounted a set of vicious attacks upon Kierkegaard, subjecting him to months of public ridicule. The result was that Kierkegaard came to feel a much closer personal identification than before with the situation at Socrates’ trial.

8

Тілесність у постколоніальному дискурсі української літератури (на матеріалі поезії «Бу-Ба-Бу»)

75%

Żukowska H.

Slavica Wratislaviensia

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2011

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tom 153

613-620

EN

The article analyses bodily semantics, projection of the functional capacity of man and woman body in arts of the literature group “Bu-Ba-Bu,” especially in poetry of Yurij Andruhovych, Oleksandr Irvants’, Viktor Neborak. They pay attention to receptions of carnivalization, masking, parodying, irony and expression in their rhymes. Using stylistic diminutive names for human body, approximation of dissimilar thematic physical and mental field, they ridicule things which were earlier sacral, transmit ironic attitude to reality, make a carnival from high culture of poetry.

9

Prywatne życie znanych osób w tabloidach

63%

Wiącek A.

Oblicza Komunikacji

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2011

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tom 4

199-208

EN

The private life of well-known people is a topic often covered by the tabloids. Weddings, romances, and divorces of politicians, musicians, and other public figures are of the great interest of these newspapers. It is worthwhile noticing that not every such a relationship is treated in quite the same way. The aim of this article is to introduce the way in which the tabloids deal with the private lives of the famous. It takes as examples the divorce and following relationship of the former prime minister Kazimierz Marcinkiewicz, and the marriage of actor Cezary Pazura to Edyta Zając. In each case there is a common factor; the man is considerably older than his partner, who is similar in age to his own children. The presentation of Marcinkiewicz and his fiancée in the media is compared with the image of their relationship created by him and his fiancée. The way this relationship was presented by the press is then compared with the media presentation of the marriage of Cezary Pazura. The rhetorical techniques used by the journalists and the effect they created are also shown. Each pair is described in a different way. Writing about the former prime minister, journalists either write negatively or judgmentally, trying to condemn his decision, retreating into irony, employing stereotypes, and describing situation with a mocking tone. The private life of the actor, although it acts as fodder for jokes and various comments, is not, in fact, the subject of such aggressive attack ― the media are rather more positively inclined towards him. This article attempts to clarify reasons of these differences.