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Інтертекстуальність роману Писар Західних Воріт Притулку Галини Пагутяк

100%

Біла І.

Slavica Wratislaviensia

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2010

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tom 152

81-87

EN

The article studies originality and regularities of the functioning of intertex in the novel of G. Pagutyak Clerk of West Gate of Shelter in connection with the problems of the motif–image system.

2

Textual Hybrids - on the Example of Andrzej Sapkowski's Cycle of the Wizard

100%

Roszczynialska M.

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2007

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tom 1

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nr 3

76-88

EN

According to psychological and social theories self-defining of both individual and communitarian identity is a comparison itself to the Other in terms of binaristic representation. In general sense the fantastic is a realm of otherness (the Aliens, non-human races, 'uncanny'). A shape of the Others is connected to the colonial practices: in the decolonisation wake it turned out that there are no indigenous people on the Earth. Due to this fact the fantastic finds its Others in the outer space, and then - according to globalization process - in the very close neighborhood. The process of transgression taking place during die conflicts causes the fact that in such circumstances the Others tend to percolate into 'our' realm and destroy actual social and cultural order. Figure of the Other is a vehicle of these transgression. The fantastic literature has always been interested in fictional representing of processes of transgression and hybridisation. Fantasy is a genre focused on the literary describing national and ethnic conflicts and, especially recently, their specular image which is multiculturalism. In Andrzej Sapkowski's 'Saga of the Wizard' all main issues of contemporary ethnic / racial discourse appear as racism, ethnonationalism, issues of individual and communitarian identity, processes of representation, racialisation and delegation of voice, problems of racial, ethnic end cultural hybridity and, last but not least, project of multiculturalism disseminated in the flame of political correctness. Contrary to what is thought when considering fantasy the operative category in literary analysis is neither fairy tale nor myth, but allegory (ethnos issue instead mythos ones). Among many aspects of hybridity in Sapkowski's work examined a figure of the shaman, which superseded the typical myth hero of fantasy (this process is a heritage of American contrculture in the 60s in fantasy).

3

Allusions to Virgil in Lucan

80%

Nagyilles J.

Antik Tanulmanyok (Studia Antiqua)

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2005

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tom 49

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nr 1/2

59-95

EN

The research interprets the textual references of 'Pharsalia' based on the presupposition that the epic aims to emulate and reinterpret (in an anti-Virgilian and anti-Ovidian way) Virgil's 'Aeneid' (sometimes even 'Georgics' and his eclogues) and Ovid (especially 'Metamorphoses'). Allusions can be revealed on higher structural and lexical levels of the poem. The allusions of the first section can draw attention to 'Aeneid's' prologue by being placed in the book of 'Pharsalia' of the same number. The prologues themselves can also refer to other texts and raise the question whether the poet wanted to refer to only one of the prologues or both, and if yes, what kind of correspondence of the two prologues he perceived. The paper reveals and comments the allusions of Virgil in 'Pharsalia' 9, 1 - 108, with other supposed archetypes involved in the survey.

4

BREAK-BACK FROM HISTORY (PAVEL VILIKOVSKY: 'EVERLASTINGLY GREEN...')

80%

Barborik V.

Slovenská literatúra (Slovak Literature)

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2007

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tom 54

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nr 1

41-53

EN

The starting point of the study is an interpretation of the novelette written by Pavel Vilikovsky: 'Vecne je zeleny..' (Everlastingly Green...), published in 1989. Except of the revealing of the inner structure of the book the author tries to show connection with several stages of development in the Slovak literature. The prose of Vilikovsky was written in the first half of 70s, about 15 years before its publishing, and a part of its semantic potential relates to that period of time. The book was also inspirational in a new literary situation after 1989. The author could confront the reading and interpretation through operative probes of the history of literature with some other controversial configurations of the Slovak literary development (60s -70s – 90s). The study is a reflection of wide scale of genres appeared in the novelette of Vilikovsky. They are united by the ironic modality as direct intertextual ways-out of the publication. The historical events (affair of a colonel Redl) as well as their literary realisations (reportages of E. E. Kisch) are parts of the book. Vilikovsky's 'transcription' is not a polemic with some interpretations of the character and stories flowing to us in the stream of the historical events but he polemizes with the historicity as a principle and contemporary praxis. The novelette is also a concrete reaction to the revitalisation of historicity in the second half of 60s representing in the literature by the nationally oriented essayistic works of Vladimir Minac. Coming out from the analysis of the novelette 'Vecne je zeleny...' the author characterises the book as an example of a flexibly transitive structure maintaining its semantic productiveness in the various and sometimes even the controversial receptive situations.

5

Historická tematika v prózách Karla Sabiny

80%

Charypar M.

Česká literatura (Czech Literature)

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2008

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tom 56

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nr 3

345-368

EN

This article is an excerpt from the author’s Ph.D. dissertation ‘Karel Sabina epigon a tvůrce’ (Sabina as Original Writer and Imitator; Prague, 2007), which is concerned mainly with the belles-lettres of the poet, dramatist/librettist, novelist, and journalist Karel Sabina (1813–1877). The dissertation combines approaches from literary history, biography, and textual criticism, but its core approach is a detailed interpretation of his individual works, focusing on intertextuality, for example, Sabina’s essay on Karel Hynek Mácha (1810–1836) and Romantic motifs. The extract published here concerns two distinct areas of Sabina’s historical fiction: semi‑historical fiction from 1837–44 (Hrobník, Msta, Obrazy ze XIV. a XV. věku, and Čech), with an ostentatiously ahistorical treatment in the spirit of the melodramaticity of the gothic novel and earlier popular literature, and Sabina’s historical fiction from the 1860s (in particular, Hyacint), which helped to establish this kind of work in modern Czech belles-lettres, and also his adventure literature (Ruesswurm), anticipating some later forms as well. In the first type of writing the article considers Sabina’s remarkable tendency to run down eminent figures of Bohemian history, which in Obrazy is a treatment typical of the popular 1541 chronicle of Václav Hájek z L ibočan, and in Čech, using Jan František Beckovský’s 1700 version of the same chronicle. This tendency in the early Sabina was suppressed by the censor and condemned by people in the arts, like Karel Havlíček Borovský (1821–1856) and later critics as well, but it did not prevent these works from achieving popularity amongst contemporaneous readers. In Sabina’s historical fiction at its height the tendency appears to be the most remarkable approach to writing, aiming to unify fact and fiction in belles-lettres. The article also aims to contribute to the assessment of the value of these works and to provide new findings in textual criticism of the works of Sabina and Mácha.

6

Entre Laputa y los Yahoos: Jorge Luis Borges lee a Jonathan Swift

80%

Kulak E. K.

Estudios Hispánicos

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2010

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tom 18

87-97

EN

The aim of the present paper is to study the influence of Gulliver’s Travels on Jorge Luis Borges’ works. It concentrates specifically on the third and fourth travels, which Borges considered as the most interesting. In the interpretation of a 20th-century writer, Swift’s satire becomes a pretext to express anxiety concerning the human nature and the destiny of our civilization, and to develop a series of thoughts on sciences and philosophy.

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Dedikace a intertexty ve Strojopisné trilogii

80%

Hoffmann B. , Hoffmannova J.

Česká literatura (Czech Literature)

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2006

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tom 54

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nr 2-3

329-341

EN

An article that moves from a survey of the occurrence of dedications in the works of Miroslav Cervenka (in the anthology 'Strojopisna trilogie', but also in academic articles) to an interpretation of poems dedicated to, among others, Josef Seifert, Jiri Kolar, and Karel Siktanc, and another survey of other manifestations of intertextuality and references to the extra-textual world and the life of Cervenka (in epigraphs, titles, subtitles, and verse) in these works.

8

Między adaptacją a egzotyzacją: odwołania do tekstów kultury polskiej jako kategoria lakunarna w przekładach wierszy Wisławy Szymborskiej

70%

Szerszunowicz J.

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2014

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nr 14

217-240

EN

The aim of the present paper is to compare and discuss translations of cultural references to Polish culture texts in Wisława Szymborska’s poem into four languages: English, French, German and Italian. The analysis encompasses intertextual elements from various culture texts, e.g. poems, legends, folk songs, which are explicitly given in poems. The strategies adopted in all versions are compared and evaluated with a view to determining similarities and differences as well as the factors which conditioned the choice of the strategy. Special attention is paid to lacunary connotations evoked by the references at issue.

9

NARIHIRA, KENKO AND 'FIVE AMOROUS WOMEN'. LITERARY TRADITION AND IHARA SAIKAKU'S NARRATIVE TECHNIQUE (Narihira, Kenko i 'Piec kobiet namietnych'. Tradycja literacka a sposob opowiadania Ihary Saikaku)

70%

Sonnenberg K.

Przegląd Orientalistyczny

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2010

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nr 3-4 (234-235)

177-186

EN

This article focuses on the ways in which intertextual references influence the narration in Ihara Saikaku's 'Koshoku gonin onna' (Five Amorous Women). The author chooses two classical texts, i.e. 'Ise Monogatari' (The Tales of Ise) and Yoshida Kenko's 'Tsurezuregusa' (Essays in Idleness) to illustrate the range of purposes the literary allusions in 'Five Amorous Women' serve. The distinction is made between the purely stylistic use of quotations from 'Tsurezuregusa', which involve neither playing with the source text nor a change in the meaning of Saikaku's narrative, and the parodic use of 'Ise monogatari' evoked mainly to bring humour into the stories. The important difference in the tone used while referring to the two classical works is also emphasised.

10

QUOTATIONS, CENTOS, AND EXTRACTS: DACHNOWSKI THE INTERTEXTUALIST (Cytaty, centony, cudze calosci. Dachnowski intertekstualny)

70%

Grzeskowiak R.

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2010

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tom 51

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nr 1 (298)

15-33

EN

This article deals with the reception of Hieronim Morsztyn (c. 1581 - c. 1622) by another late Renaissance poet Jan Karol Dachnowski (c. 1590 - c. 1655) in the context of contemporary intertextual practices (plagiarizing, extracting, redacting, using quotations, paraphrases, and centos).

11

Akty uszanowania i pozwolenia na zawarcie małżeństwa jako umowy intertekstualne

70%

Kuć J.

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2012

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nr 12

91-98

EN

In this article I will look at the phenomenon of intertextuality in the 19th-century contracts from the notary oﬃce of Józef Kalasanty Szaniawski in Łukow. The repertory of the ﬁles shows that acts of respect and permission to marry were often practiced activities at that time. In the years 1810–1811 in the ﬁrm registered a total of 63 units (33 acts of respect and 30 acts of permission).Number of the notarial documents is similar because of the reciprocity and bidirectional designated activities. In both types of contracts we ﬁnd many signs of bilateral relations textual references in the form of structural and pragmatic interactions and communication. The article indicates them, describes and presents the conditions and functions of intertextual references.

12

INTERTEXTUALITA V SLOVENSKEJ POSTMODERNEJ PRÓZE. PODOBY MEDZITEXTOVÉHO NADVÄZOVANIA V PROZAICKOM DIELE DUŠANA DUŠEKA PONOŽKY PRED ODLETOM

70%

Porížeková A.

Slovenská literatúra (Slovak Literature)

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2016

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tom 63

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nr 2

134 – 139

EN

The goal of the paper is to demonstrate the postmodern nature of Dušan Dušek´s collection of short stories named Ponožky pred odletom /Socks before Taking off/. The literary critical analysis of the collection has support by scientific basis in literary scientific works written by Tibor Žilka, who is the one among the other Slovak authors that has described the area of research in most detail. The scientific study shows that the latest book by Dušan Dušek implements currently the features of a postmodern text and can be classified by Tibor Žilka´s standards as the palimpsest type of prose. The central characteristic of Postmodernism as well as Dušek´s collection becomes intertextual connection achieved by intertextuality and meta-textuality. The short stories include a number of quotations from folklore, newspapers and books by well-known writers as well as family members. The individual quotes are not excluded sentences and form its inseparable part due to the fact that they complement the narrator´s (author´s) thoughts and memories. The other type of intertextual connection employed by the author and proving the postmodern nature of the short proses is meta-textuality effectively used in various ways, in particular: by commenting on the literary text itself, by putting a character in the text, or by quoting the writer´s own literary texts published earlier. The contribution of the paper can be seen in repeatedly showing and highlighting the characteristic of Postmodernism, i.e. intertextual connection and its practical application to the collection mentioned above.

13

POSTMODERNÁ SITUÁCIA SLOVENSKEJ LITERATÚRY VO VOJVODINE A PROCESY TRANSFORMÁCIE POÉZIE OD ŠESŤDESIATYCH ROKOV 20. STOROČIA

60%

Speváková Šimáková M.

Slovenská literatúra (Slovak Literature)

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2016

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tom 63

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nr 4

263 – 286

EN

This paper analyses the transformation of poetics from modernism to postmodernism in the poetry of Vojvodina Slovaks. The main methodological sources which we have used are the monograph Individualizovaná literatúra by Jaroslav Šrank and V poschodovom labyrinte byViliam Marčok, as well as the study by Dubravka Djurić. As a result of the analysis we have identified three sources of transformation from modern poetics to postmodernism in the poetry of the late sixties of the 20th century: intertextuality, neo avant-garde intermediality and the poetry of the Beat Generation. The only generalization which follows from the analysis is the variety of poetics during postmodernism. We have also identified two phases in the transformation from modernism to postmodernism in the poetry from Vojvodina. In the first phase the transformation consisted of spontaneous reactions of the authors to the contemporary literary influences. The second phase was a purposeful use of the postmodern manner, deconstruction as a source of the new semiotization. We consider the main conclusion of this paper to be the realization that the poetry of Vojvodina Slovaks has also been transformed by the influence of the poetry from Slovakia although some of the processes of postmodernism in Vojvodina predate those in Slovakia.

14

Dialog z tekstem, dialog w tekście — Złoty kubek Janusza A. Ihnatowicza

60%

Jakubowska-Ożóg A.

Kształcenie Językowe

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2010

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tom 8(18)

141-148

EN

The author examines the dialogue between Teofi l Lenartowicz’s text Złoty kubek [Golden mug] and Janusz A. Ihnatowicz’s poem from the Selected poems collection, and between Lenartowicz’s work and Maria Pawlikowska-Jasnorzewska’s poem entitled Lenartowicz. The article is part of a research into intertextuality in the literary discourse.

15

„TOTO TUŠENIE, KTORÉ VISÍ VO VZDUCHU“: DÁ SA LATENTNÁ INTERTEXTUALITA VYCÍTIŤ?

60%

Kazalarska Z.

Slovenská literatúra (Slovak Literature)

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2012

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tom 59

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nr 3

185 – 203

EN

The study is concerned with the phenomenon or notion of latency and its potential use in the field of literary science, especially in the field of intertextuality. She proceeds in several steps. First she reports, comments on and speculates about the current research on latency in the field of German culture and arts. Then she reviews the subject of intertextuality – leading into the idea of latent intertextuality. As symptoms of such latent intertextuality she employs phenomena or notions such as moods and atmospheres in their classic phenomenological provenance as well as current aesthetic and literary-scientific analysis (G. Böhme, H. U. Gumbrecht). The interpretative arty focus of the study lies in the part from I. Blatný´s correspondence with M. Součková dealing with the relation between his poem Báseň v cizím bytě (Poem in someone else´s flat) and the writer´s prose Zakladatelé (Founders) and at the same time in both of the works of art commented by I. Blatný. In the year 1948, on the edge of two literary epochs, I. Blatný with great subtlety and sensitivity typical of a poet raises a question of latent intertextuality based just on literary atmospheres – beside traditional well-studied literary influences and dependences. The author in her study comes to a prospective question how to make use of the latent inspirations of the after-war 1950s when a complicated „abortion“ of time occurs in Czech literature and many stimuli of classic modern art or avant-garde are moved into the zone of latency, where they, however, begin to operate from the mid-1950s on again.