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EN
Sasha Sokolov’s novel Между собакой и волком (Between Dog and Wolf) ustains a chain of stories and micro-stories built on interfering genre-aware language games, on all levels, from prosody to semantics. Thus a reader is seriously challenged by processuality and overt relativeness of the text meanings. She meets deep genremixing, multidimensional characters, settings and plot, ontologic and epistemic instability, alternating repetitions, shifting narrative instances and intertextual references. Sokolov avoids stable limits between fictional components of the world he has created. Instead of realistic approach, he submits a disturbing but fascinating out of focus worldview, as the title of the novel early suggests.
EN
Narrative specifity of Sasha Sokolov’s novel Between Dog and Wolf is determined by a tendency to expose liminality, by a fascination of heterogeneity and fluidity of the text’s meanings. The novel’s characters are thus variable, complex and ambiguous. The narrative style shimmers as a sophisticated mix of different types and modes of language, different tones, emotions and attitudes. A scrappy plot can be hardly re-established by reader, which finds herself deeply involved in the play of multi-faceted interferences and altered repetitions.
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