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MEANINGS AND USES OF MATERIAL CULTURAL HERITAGE IN THE TOWN OF HVAR

100%

Čapo J.

Slovenský národopis (Slovak Ethnology)

2024

tom 72

nr 3

383 – 406

The article takes issue with the distinction between tangible and intangible heritage and the duality between the symbolic and instrumental (profit-generating) value of heritage. Based on ethnographic research in a tourist destination on the Croatian coast, the article interrogates what happens when built culture and urban public spaces are still part of living culture in a locality. It demonstrates dissonant meanings and uses of heritage that arise from the intangible and socially constructed nature of material heritage for local users. Beyond the symbolic and instrumental meanings and uses of heritage, its societal, experiential meaning is underlined as it is a part of living societal culture that is consumed on a daily basis. In the end, the article reflects on the limits of local community engagement in heritage processes.

PUNCH AND JUDY: WHOSE SHOW IS IT ANYWAY?

75%

Reeve M.

Slovenský národopis (Slovak Ethnology)

2013

tom 61

nr 5

507 – 514

Towards the end of the 20th century performers of the traditional British glove puppet show, Punch and Judy, began to document, to organize and to celebrate their own tradition in response to a number of perceived threats to it. In doing so, they produced tangible and intangible artefacts (texts and films) and experiences (festivals and meetings). These tangible and intangible products stand in contrast to the much of the documentation about the tradition which has been produced by non-performers. Taking the recent making of a DVD of Punch and Judy performers as its starting point, this paper considers this trend and suggests that Punch and Judy performers have regained control of their tradition through the production of these artefacts. The paper also points to the problems of terms such as ‘tangible’ and ‘intangible’. This paper is a slightly amended version of the paper given at the Anderle Radvan conference and puppet festival in Banská Bystrica, Slovakia, held on the 6th September 2013.

INTANGIBLE CULTURAL HERITAGE EMBRACES IN STRATEGICAL RESEARCH AGENDA (SRA). JOINT PROGRAMMING OF EUROPEAN RESEARCH AREA

75%

Murín I.

Slovenský národopis (Slovak Ethnology)

2013

tom 61

nr 5

515 – 522

This paper presents an initiative in the European Research Area in jointly programming and realising research in cultural heritage within Horizon 2020. The Slovak research team participating in this activity is composed of ethnologists, cultural and social anthropologists with an affiliation to the intangible cultural heritage. Naturally the scientific questions of this team towards living culture and cooperation in Europe are attentively perceived. A survey of defining research priorities is actually one of the unique findings about the state of cultural heritage research, phenomena, context and research needs. This text includes methods of survey, results of intangible heritage, comparison with the Slovak situation in traditional culture and what is rare – some assumption and assessment to develop intangible heritage in Europe.

LITERARY HERITAGE IN MUSEUM EXHIBITIONS: IDENTIFYING ITS MAIN CHALLENGES IN THE EUROPEAN CONTEXT

75%

Strepetova M. , Arcos-Pumarola J.

Muzeológia a kultúrne dedičstvo

2020

tom 8

nr 3

95 – 109

Literary heritage presents a dialectic relationship between tangible and intangible elements. This complex duality presents challenges for curators, who must try to communicate this immaterial essence through the exhibition language. This article, structured on a two-phase research process, aims to identify the main challenges for literary heritage valorisation and communication in the museum context. First, interviews with specialists in literary heritage and museology from Catalonia and Russia were carried out to identify the main issues to be considered when designing a literary heritage exhibition and managing a literary heritage centre. Second, the websites of three renowned literary European museums were analysed to inspect whether and how these aspects are tackled by these museums and presented to their potential visitors. Results show that, firstly, the duality of literary heritage is vital in the designing of the exhibition; and secondly, that concepts such as human mediation, literary tourism, and promotion are important in finding new strategies to communicate and visibilise literary heritage intangible meanings.