Wyniki wyszukiwania - Biblioteka Nauki

Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl

Ograniczanie wyników

Znaleziono wyników: 2

Liczba wyników na stronie

Wyniki wyszukiwania

Wyszukiwano:
w słowach kluczowych: IMRICH ESTERHÁZY

Sortuj według:

Ogranicz wyniki do:

IMRICH ESTERHÁZI A JEHO HISTORIOGRAFIA PRI VÝSKUME DEJÍN UMENIA

100%

Orviská K.

ARS

2022

tom 55

nr 2

169 - 181

Imrich Esterházi is one of the most important patrons of the 18th century yet his patronage in present-day Slovakia, Hungary and Croatia has not been analysed. Detailed iconological research on his commissions is lacking as well. The aim of this study is to summarize and briefly analyse his extensive, but still not comprehensively processed, historiography. The latter constitutes the basis for further research, especially in the field of iconology and patronage, and thus will be able to make future research faster and easier. I will focus on literary and archival sources related to the person of the Primate, most of which are still unknown in our region.

KAPELA IMRICHA ESTERHÁZYHO V ROKOCH 1725 – 1745

75%

Kačic L.

Musicologica Slovaca

2014

tom 5 (31)

nr 2

189 - 254

Hitherto Archbishop-primate Emericus Esterházy (1663–1745) has been known only as a patron of ﬁne art and architecture (G. R. Donner, A. Galli Bibiena and others). However, Esterházy had also an outstanding court music ensemble during the period 1725–1745, in which a number of musicians of European signiﬁcance were active. These included composers (Joseph Umstatt, Johann Matthias Schenauer, Leopold Carl, Johann Peter Behr, Francesco Durante, Johann Otto Rossetter) and many outstanding performers (Giacomo Calandro, Domenico Tasselli, Filippo Antonelli, Angelo Cavallari). Apart from the ensemble’s composition, this study also addresses the social status of the musicians and the ensemble’s collaboration with other musicians not only from Bratislava (St. Martin’s Cathedral), but particularly with the Imperial Court Ensemble and other Viennese musicians and instrument-makers (A. Posch, M. M. Fichtl, M. Leichamschneider etc.), as well as with local Bratislava organ-builders (T. Pantoček, V. Janeček). Primate Esterházy’s ensemble belongs to the most celebrated period in the musical history not only of Bratislava but of Central Europe as a whole.