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1

L’INTERTEXTUALITÉ DANS LA PROSE DE PÉTER ESTERHÁZY ET LA RÉCEPTION DE SES ŒUVRES EN FRANCE

100%

Schneller D.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

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2009

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tom 1

164-183

EN

Péter Esterházy has been for over 20 years one of the most important contemporary Hungarian writers. While postmodernist, he highly respects modernist predecessors like Dezső Kosztolányi or Gezá Ottlik, and implicitly the modernist values they represent. Acknowledged as a great writer in Europe as well as in Hungary, Esterházy’s major work, Harmonia Caelstis, printed at Gallimard, generated a number of eulogistic reviews. An important feature of his work remains intertextuality, the dialogue with great European writers and philosophers. Apart from humour, sensuality and encyclopedic knowledge, the frequent references to French literature have contributed to making him quite popular in France.

2

Kronikarz spóźnionej wojny. Woń człowieka Ernő Szépa

100%

Piotrowiak-Junkiert K.

Slavia Occidentalis

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2015

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nr 72/2

179-191

PL

The article presents a portrait of one of the most important witnesses of the Holocaust in Hungary, the author of Emberszag and „the legend of Ernő Szép”, who would greet people by saying „I was Ernő Szép”. In his innovative work, the writer draws upon his skills as both reporter and observer. The way he can intricately interweave different episodes confirms his great artistic ability, but most of all it highlights the essential need to accord to the Jewish history all the respect it deserves. Szép achieves this through adopting an anthropocentric perspective – each scene focuses primarily on human emotions and habits, whilst the key context of all the events – the Shoah – is shifted to the background. Without overloading the text with too many dates or legal references, Szép pays careful attention to facts which gives readers a perfect opportunity to recreate the successive stages of the Jewish history in 1944 Budapest.

3

Rewolucja 1956 w literaturze węgierskiej. Na marginesie literackiego kanonu

87%

Piotrowiak-Junkiert K.

Poznańskie Studia Polonistyczne. Seria Literacka

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2016

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nr 29

151-163

EN

The article is an attempt at an outline of the situation in Hungarian literature confronted with the revolution of 1956. The events of the Hungarian October are some of the more frequent themes in revisionist literature. Selected examples of literary works show the most important features of that literature, writing strategies, patterns of artistic message. From the wide selection of the literature, a poem, fragments of a diary, a novel, and an authobiographical essay by Sandor Marai, Gyorgy Moldova, Istvan Orkeny and Imre Kertesz were selected.

4

Reinterpretacja poetyki węgierskiej powieści historycznej w utworach najnowszych

75%

Nagy L. K.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2023

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tom 23

297-310

EN

The main idea of the article is the description of selected works which belong to the latest Hungarian historical novels. They are surprising for readers and at the same time constitute a polemic with the genre classics. The best‑known historical novelists ate the turn of the 19th and 20th centuries in Hungary are: Géza Gárdonyi and Maurycy Jókai. One of the reasons for their popularity is the fact that in their works they mentioned well‑known and at the same time painful events from the history of Hungary. It was the era of Turkish rule and the period of the Hungarian Spring of Nations. Other events included the Trianon case, which wasn’t discussed between 1945–1989, the Second World War, and the Hungarian October. The mythic image of national struggle and the fighting Hungarian, which was shaped by Romantic writers, was preserved for a long time in the collective memory of Hungarians. It seemed to have become an indispensable element of national mythology. However, new authors appeared in contemporary Hungarian culture, who made an attempt at the demythification of events that were important for the Hungarian people. Such an attempt seems very interesting and controversial. It is a litmus test for the current state of the collective historical awareness of the nation. New literary works take a different approach to those events which are well‑known to several generations of Hungarians from classical literature. They ask questions about the borders concerning rooted axiological categories and the flexibility of historical thinking. They are also an attempt at a timeless reflection connecting different periods. In Béla Fehér’s book, which was written in the spirit of magical realism, the most popular leader of the Hungarian Spring of Nations – Lajos Kossuth (1802–1894) – quotes the words of Prime Minister Imre Nagy (1896–1958) from the days of the Hungarian October. As for the works which deal with the topic of the two World Wars, they pose questions about the moral value of struggles run on the wrong side in the interest of foreign powers.

5

„Tento svět je jako zahrada, zničená kamenným deštěm…“ Křižovatky literatury osmanské doby v Uhrách

75%

Mészáros A.

Historie – Otázky – Problémy (History, Issues, Problems)

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2014

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tom 6

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nr 2

9-16

EN

Ottoman rule in the central territories of the Hungarian state, the formation of the Principality of Transylvania and the development of the Kingdom of Hungary in the 16th century created the framework for the formation of modern Hungarian culture. From this transformation of the medieval system the basics of Hungarian-language literature emerged. A unique phenomenon of this age was the formation of local Turkish literature, and in particular various trends in classical Turkish poetry.

6

The Networks of Consecration: The Journey of Magda Szabó and László Krasznahorkai’s International Reputation One

71%

Varga Z.

Porównania

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2020

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tom 27

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nr 2

219-233

PL

Artykuł porusza temat międzynarodowej popularności dwojga węgierskich powieściopisarzy końca XX i początku XXI w., recepcji powieści Magdy Szabó i László Kraszahorkaiego w niemieckim, francuskim i angielskim kręgu literackim. Pomimo że są to autorzy różniący się podejściem do samego gatunku i estetyki powieści, należą oni do niewielkiej grupy pisarzy, których twórczość wzbudziła zainteresowanie za granicami ich ojczyzny. Artykuł dowodzi, że zaistnienie tych autorów na polu międzynarodowym, recepcja i popularność są wyraźnie związane z intensywną działalnością tłumaczy i innych pośredników kulturowych, działających na międzynarodowym rynku literatury.

EN

This chapter focuses on the international reputation of the work of two Hungarian novelists the late twentieth and early twenty-first centuries: the reception of the novels of Magda Szabó and László Kraszahorkai in German, French and English literary cultures. Though different in novelistic approach, genre and aesthetics, they belong to a small group of Hungarian writers whose work found resonance with the international readership. The chapter argues that their international circulation, reception and popularity are much entwined with very tangible processes of mediation through networks of translators and other cultural agents active in the international economy of letters.

7

Odtajnianie kanonu literatury węgierskiej. Rec.: Kinga Piotrowiak-Junkiert, Od idylli do ironii. Literatura węgierska wobec Zagłady w latach 1944–1948. Poznań 2020

63%

Juchniewicz A.

Pamiętnik Literacki

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2022

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tom 113

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nr 4

256-264

PL

Recenzja podkreśla pionierskość napisanej przez Kingę Piotrowiak-Junkiert rozprawy, którą można uznać za najważniejszą spośród opublikowanych w ostatnich latach książkę poświęconą literaturze węgierskiej czasu wojny i Zagłady. Ocena ta wynika nie tylko z faktu, że autorka zgromadziła teksty dotąd nie poddane szczegółowej analizie, lecz również ze względu na próbę szczątkowego odtworzenia recepcji wybranych dzieł. Piotrowiak-Junkiert zrekonstruowała świadomość pisarzy dotyczącą Zagłady, którzy w późniejszym czasie albo współpracowali z reżimem komunistycznym, albo uzyskali zakaz druku. Każdy z nich jednak uformował własny język do opowiedzenia doświadczeń granicznych.

EN

The review highlights the pioneering character of Kinga Piotrowiak-Junkiert’s study “Od idylli do ironii. Literatura węgierska wobec Zagłady w latach 1944–1948” („From Idyll to Irony. Hungarian Literature on the Holocaust between 1944–1948”, 2020), which can be regarded as the most crucial recently published book on Hungarian literature on the war and the Holocaust. Such assessment results from the fact that the author not only managed to collect the texts which to this day have not been subject of scrutiny, but also made an attempt to rudimentarily reconstruct the reception of selected works. Piotrowiak-Junkiert recreated the awareness of those writers about the Holocaust who later either collaborated with the communist regime or were banned from printing. Regardless of that, each of them formed their own language to narrate about the borderline experiences.

8

Narracje o migracji w twórczości współczesnych pisarzy o węgierskich korzeniach kulturowych

63%

Roguska-Németh M.

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nr 2

283-299

EN

Migration is one of the most momentous existential experiences of modern man. It is a change that has serious consequences for the individual, regardless of whether it is accompanied by coercive (political or economic) motivations or it is voluntary. In both of these cases, the process of adaptation in a new place may turn out to be a difficult and burdensome task for the individual. What is more, it can also affect the next generations. Children of migrants often struggle with the same problems that their parents or grandparents had to face. The fact that the functioning between two cultures, languages and traditions can turn out to be literally prolific is evidenced by the work of writers of Hungarian origin who live and work outside their country of origin. This article examines the work of three such authors: Terézia Mora and Ilma Rakusa, who write in German, and the Anglophone author Charlotte Mendelson. Each of them thematizes the issue of migration in a different way and uses different solutions at the level of the structure and the narrative of their works.

PL

Migracja jest jednym z bardziej doniosłych doświadczeń egzystencjalnych współczesnego człowieka. Jest to zmiana, która pociąga za sobą poważne konsekwencje dla jednostki, niezależnie od tego, czy towarzyszą jej motywacje o charakterze przymusu (politycznego bądź ekonomicznego), czy też mamy do czynienia z migracją dobrowolną. W obu tych przypadkach proces adaptacji w nowym miejscu może okazać się zadaniem niełatwym i obciążającym dla jednostki. Co więcej, może on rzutować również na kolejne pokolenia. Dzieci migrantów niejednokrotnie zmagają się bowiem z tymi samymi problemami, którym czoła musieli stawić ich rodzice bądź dziadkowie. O tym, że funkcjonowanie między dwoma kulturami, językami, tradycjami może okazać się literacko płodne, świadczy twórczość pisarzy o korzeniach węgierskich, którzy mieszkają i tworzą poza krajem swojego pochodzenia. Niniejszy artykuł analizuje twórczość trzech takich autorek: Terézii Mory i Ilmy Rakusy, które piszą po niemiecku, oraz anglofońskiej autorki Charlotte Mendelson. Każda z nich tematyzuje zagadnienie migracji w inny sposób i posługuje się innymi rozwiązaniami na poziomie struktury i narracji utworów.

9

Toni sentimentali nelle poesie di Gábor Dayka

63%

Papp J.

Kwartalnik Neofilologiczny

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2021

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nr 1

57-70

PL

Artykuł analizuje wpływ sentymentalizmu na twórczość węgierskiego poety Gábora Dayki (1769– 1796), autora sentymentalnych wierszy przepojonych ideałami oświecenia. Sentymentalne tony jego wierszy wynikają przede wszystkim z niezrozumienia ze strony środowiska literackiego oraz z niemożności ujawnienia nieprzejrzystego smutku tajemniczej melancholii, która go dręczyła. Dayka, zmuszony do wybrania kariery kościelnej, a następnie porzucenia jej dla swoich liberalnych idei, stopniowo zmienia się w sentymentalnego i pesymistycznego poetę, który uważa miłość za bolesne doświadczenie i przenosi swój ból na naturę. W artykule podjęto próbę analizy sentymentalnych środków wyrazu Dayki od poezji Rettenetes éjszaka (Straszna noc) po Titkos bú (Tajemnicza melancholia).

EN

In this paper, I intend to explore the influence of sentimentalism in the works of Gábor Dayka (1769– 1796), a Hungarian poet, an author of sentimental poems imbued with the ideals of the Enlightenment. The sentimental tones of his verses derive first of all from being misunderstood and oppressed and from the impossibility of unveiling the opaque sadness of the mysterious melancholy. Dayka, forced to choose the ecclesiastical career and then abandon it because of his liberal ideas, gradually becomes a sentimental and pessimistic poet who thinks love is painful and projects his pain into nature. I will focus on the sentimental means of expression of Dayka from the poem titled Rettenetes éjszaka (Terrible Night) to Titkos bú (Mysterious Melancholy).

10

‘Transfers’ in Hungarian Literature from Vojvodina

63%

Bence E.

Acta Universitatis Sapientiae, Philologica

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2014

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tom 6

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nr 1

53-61

EN

The study examines the variants of the postmodern phenomena of literary ‘transfer’ (‘trans-correspondence,’ ‘transpass’) and their relationships with Hungarian literature (in Vojvodina) from the beginnings (the creative tradition of Kornél Szenteleky’s oeuvre) up to the events of present-time literary history (e.g., to the publication of Esti by Péter Esterházy). Referential aspects (the literary themes of the railway, the train, the change of trains), specific contexts (e.g., Kornél Esti as a contextual ‘transferring’ literary character) and metaphorical contents (e.g., the meanings of the straight line and the plane in the literature of the region) come into the focus of our research. Another significant aspect of the research is the interpretation of the intricate web of cross-cultural ‘transfers’ (between the works of Dezső Kosztolányi-Danilo Kiš-Péter Esterházy). The dominant motif of Central-Eastern European man’s experience of space is the straight line of the flatlands: lacking the sea-experience of the Southern European or of the more southern regions, as well as the related mythical experience of the world, infinity-experience, or reality perceptions hosting unrealities. The trip in this sense is an intermediate form of life: movement towards other shapes. The direction and extent of this movement has always been defined by the ‘straight line,’ the main road, and later the straight line of the railway

11

Konstruowanie siebie w opowieści – o historii i tożsamości w "Domu kata" Andrei Tompy

51%

Horabik K.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2023

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tom 23

335-348

EN

The main purpose of the article is to present the literary output of Andrea Tompa, using her debut collection entitled Dom kata as an example. In her work, the Hungarian writer uses her creative potential connected with the experiences of growing up in a discriminated national minority in Romania in the 1980s. In the paper, I demonstrate how the history of the area and biography intertwine in the literary transformation of experience in a quasi‑autobiographical story about entering adulthood. In Andrea Tompa’s work, one can see how the geo‑cultural experience has an impact on both the way the story is constructed and the narrative strategies applied, as well as its influence on the reception of the work among readers. The trauma of the regime and exclusion associated with Romania in the second half of the 20th century is conveyed by means of a hybrid form and fragmented narratives. This unique combination that makes up the book of the Hungarian writer provides an inspiring material for literary research, both from the perspective of memory studies and the poetics of experience. As for the way of constructing the story, which is hard to categorize according to strict genre classifications, it only enlivens the reception.

12

Od (anti)utopistické vize světové války k realitě Velké války z pohledu maďarské literatury

51%

Kolmanová S.

Historie – Otázky – Problémy (History, Issues, Problems)

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2016

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tom 8

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nr 1

184-195

EN

This study is devoted to the First World War in Hungarian literature. It mentions the utopian vision (Mór Jókai), works created at the front (Géza Gyóni, Béla Balázs, Józsi Jenö Tersánszky, Zsigmond Móricz), works dedicated to deportation (Aladár Kuncz) and works created in the rear, away from the front (Endre Ady, Mihál Babits, Margit Kaffková, Dezsö Szabó, Ferenc Móra).

13

Synové Kafky: Kafkovské intertexty v díle Pétera Esterházyho, Mihálye Kornise a Szilárda Borbélye

51%

Szarka S.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2024

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tom 34

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nr 69

10-22

EN

The study focuses on three authors of contemporary Hungarian literature who enter into a dialogue with Kafka’s texts through intertextual references and elevate these intertexts to the level of textforming elements in their own works. It examines Kafkaesque intertexts in Péter Esterházy’s Indirect (Függő) and The Book of Hrabal (Hrabal könyve), Mihály Kornis’s drama Punishments (Büntetések), Szilárd Borbély’s poetry collection Berlin — Hamlet and his posthumously published fragmentary novel Kafka’s Son (Kafka fia). Based on the analyses carried out, it can be concluded that Kafka’s significance for contemporary Hungarian literature is not limited to the simplistic category of literary influence, but involves multifaceted and complex interactions that, in the case of all three authors under study, are related to the desire to transcend the prevailing literary discourse.

14

Poetyka ciał heterogenicznych we współczesnej literaturze węgierskiej

51%

Nemeth Z.

Porównania

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2022

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tom 31

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nr 1

181-192

EN

In contemporary Hungarian literature, an increasingly important role is played by post-humanist-anthropocene forms of literary expression, the starting point of which is biological operations performed on the body. The bodily transformations that change the anthropological and evolutionary picture of man are accompanied by new biological constructs and power relations, as a result of which animal life forms acquire hybrid identities. Three Hungarian novels are discussed in the work: My Hero’s Square (2000) by Lajos Parti Nagy, A patkány éve [Year of the Rat] (2013) by Imre Bartók, Irha és bőr [Hide and Skin] (2019) by Anita Moskát. Their analysis is set in the context of posthumanism, ecocriticism and postmodernism.

PL

We współczesnej literaturze węgierskiej coraz większą rolę odgrywają posthumanistyczno-antropoceńskie formy wypowiedzi literackiej, dla których punkt wyjścia stanowią biologiczne operacje wykonywane na ciele. Cielesnym transformacjom, które pociągają za sobą zmianę antropologicznego i ewolucyjnego obrazu człowieka, towarzyszą nowe biologiczne konstrukty i relacje władzy, w wyniku których zwierzęce formy życia zyskują hybrydowe tożsamości. W pracy omawiane są trzy węgierskie powieści: Plac mojego bohatera (2000) Lajosa Parti Nagya, A patkány éve (Rok szczura) (2013) Imre Bartóka, Irha és bőr (Ircha i skóra) (2019) Anity Moskát. Ich analiza jest osadzona w kontekście posthumanizmu, ekokrytyki i postmodernizmu.

15

Sándor Márai jako československý autor?

51%

Pató M.

Česká literatura (Czech Literature)

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2012

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tom 60

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nr 5

694-710

EN

The Hungarian writer Sándor Márai was a prominent figure in interwar Hungarian journalism and literature, and Hungarian writers working within the minority culture in interwar Czechoslovakia referred to him as a fellow countryman. By having a translation of his novel published in Czech he successfully penetrated into the margins of Czech literature, while his extensive review work also touches upon Czech authors (Olbracht and Čapek). Márai´s early poetics were formed at the intersection of Hungarian modernism and German expressionism. These two elements had a crucial influence on his subsequent artistic orientation, in which a prominent role was played by Márai´s relations with Prague German authors (Kafka, Werfel), whom he translated. Márai´s ambition to cease belonging to any local communities then led to the creation of work showing characteristics of deterritorization. The question of where Márai´s work belonged within the literature of interwar Czechoslovakia leads on to the question of how to actually define this literature.

16

„Unser wichtigstes Palladium ist die Sprache“ – Zur Frage von Nation, Identität und Sprache in einem multilingualen Umfeld am Beispiel des Grafen Johann Mailáth

44%

Tamássy-Lénárt O.

Convivium. Germanistisches Jahrbuch Polen

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2021

23-39

PL

Artykuł zajmuje się skomplikowaną relacją pomiędzy językiem, narodem i tożsamością w węgierskiej epoce reform (1825-1848). Tematem jest krajobraz literacki w Peszcie-Budzie w pierwszej połowie XIX w.: popularna w tym czasie w królestwie węgierskim koncepcja o ‚Natio Hungarica’ a także losy autorów, którzy mieli tożsamość zwaną ‚Hungarus’, ale jako pisarze nie chcieli lub nie potrafili pisać po węgiersku. Jako przykład służy hrabia Johann Mailáth (1786-1855), pośrednik między narodami, między Pesztem-Budą i Wiedniem, zwolennik idei patriotyzmu państwowego, jak rozumiał go Hormayr.

EN

The article examines the gradual development of a complex relationship between language, nation and identity in the Hungarian Reform Era. It presents the literary landscape of Pest-Buda in the first half of the 19th century; the concept of ‘Natio Hungarica‘ circulating in the Kingdom of Hungary at the time; and the fate of those authors who professed to be Hungarians, but did not wish to, or could not, use Hungarian as literary language. The work of Count Johann Mailáth (1786-1855) – a transnational mediator between Pest-Buda and Vienna, supporter of state patriotism as Hormayr understood it – serves as an example.

DE

Der vorliegende Beitrag widmet sich der Frage, wie sich das komplizierte Verhältnis von Sprache, Nation und Identität im ungarischen Reformzeitalter entwickelte. Dargestellt werden die Pest-Budaer Literaturlandschaft in der ersten Hälfte des 19. Jahrhunderts, die zu dieser Zeit im Königreich Ungarn kursierenden Auffassungen über die ‚Natio Hungarica‘ sowie das Schicksal jener Autor*innen, die sich trotz ihrer deutschen Muttersprache als Hungarus bekannten, aber die sich als Schriftsteller*innen nicht des Ungarischen bedienen wollten oder konnten. Als Beispiel dient Graf Johann Mailáth (1786-1855), eine transnationale Vermittlerfigur zwischen Pest-Buda und Wien und Anhänger der Idee des Staatspatriotismus im Sinne Hormayrs.