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ГЕНДЕРНЫЕ МОДЕЛИ ИСПОВЕДАЛЬНОЙ СТРАТЕГИИ В ИСПОВЕДИ СЫНА ВЕКА А. ДЕ МЮССЕ И ИСПОВЕДИ МОЛОДОЙ ДЕВУШКИ ЖОРЖ САНД

100%

Попова А.

nr XIV

99-108

The article deals with the peculiar features of the confessional strategy in the novels La Confession d'un enfant du siècle (1836) by Alfred de Musset and La Confession d’une jeune fille (1864) by George Sand. The author analyses correlation between the universal and the gender marked principles in the authors’ style of the presentation of events. There have been revealed similarities at the level of the plot model (the story of a young man/woman growing up), the narrative organization (confession), the motives’ structure (orphanhood, self-identification, “sentimental education”), which have been determined by the influence of the genre tradition and the authors’ Romantic worldview. At the same time, the differences in the composition, the criteria for the selection of material, the degree of frankness and self-esteem show the dependence of the confessional text on gender.

Francuska twórczość teatralna Charles’a Edmonda

89%

Desurvire E.

tom LXX

51-80

We describe the French-theater works of Charles Edmond Chojecki and associated career. Through his legacy of nine pieces, we highlight his evolution in dramatic concepts, his occasional collaborations, his high successes and failures, what the critics had to say, and moreover, his prime relation with his first friend and advisor, George Sand.