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1 Studia Iberystyczne

1 2010

1 Rękawek J.

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Mais perto do samba do que da valsa: Glauber Rocha e o Cinema Novo

100%

Rękawek J.

Studia Iberystyczne

2010

tom 9

327-339

The artistic legacy of Glauber Rocha is an essential point of reference for any analysis of contemporary Brazilian culture. With a deep commitment to the qualitative transformation of Brazilian society, this artist was at the forefront of the Brazilian cinematic avant-garde of the 1950s-60s, which – inspired by the wave of new cinema around the world – proposed a new Brazilian cinema, decolonized and sovereign. With the benefit of technological advances these film-makers changed cinematic language, filming Brazil with a violent aesthetic free of shame, in which the common citizen was able to see his own face, feel his own pain and hear his own music. The aesthetic of hunger, articulated by Glauber Rocha as a legitimate ideology, was not limited to artistic ends only, but intended to promote a public debate in which Brazilian realities would be debated as a problem of politics. In the same way that the Cinema Novo remained an uncompleted phenomenon, its formulations suspended, the debate inspired by Glauber Rocha’s legacy has still to take place.