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3 Česká literatura (Czech Literature)

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Rytmická stránka Nerudova rýmu

100%

Říha J.

Česká literatura (Czech Literature)

2012

tom 60

nr 3

409-427

This article considers the rhythmical aspect of rhyme in the published collections of verse of Jan Neruda (1834-1891), Hřbitovní kvítí (1857), Knihy veršů (1867), Písně kosmické (1878), Balady a romance (1878-83), and Zpěvy páteční (1896). The author´s method is to start from the theoretical works of Jan Mukařovský (1891-1975) (the rhythmical aspect of rhyme) and Miroslav Červenka (1932-2005) (the structure of endings in Czech syllabotonic verse). When describing Neruda´s collections, the author focuses on the frequency of the individual endings and their combinations in rhyming lines. The discussion is based on comparing the actual frequency of endings with their theoretical frequency (resulting from linguistic factors). The changes in frequency of endings from one collection to the other are put into a system with changes in, among other things, the range of meters and stanza types, and changes in the semantics of the rhyme. Particular attention is paid to the question of dactylic rhyme, which was an essential ingredient of Písně kosmické and Prosté motivy, and the question of rhyme without meter.

Paměť, trauma, smrt : intervence jazyka v narativu

80%

Kotásek M.

Česká literatura (Czech Literature)

2013

tom 61

nr 3

313-336

This article discusses the options that narrative and language have in their attempts to capture or describe traumatic experience and death. It concentrates on two prose texts by Karel Čapek, Obyčejný život and Povětroň, and the first phase of Freudian psychoanalysis, pointing at generally distinguishable limits and distortions that arise when narrative and language come in contact with trauma and death. Contrary to the current trend within "trauma studies", the article does not deal with autobiographical records of traumatic experience. It rather tries to point out that thinking consistently about the connection between memory, language and trauma tends to blur and question the traditional distinction between fiction (understood as a work of imagination) and autobiography (taken as a description of real events). It also tries to show that psychoanalysis arrives, explicitly and implicitly, at a similar conclusion. The last part of the article poses the question what the resulting relationship between the outside (narrated, written story) and the "inner" experience is like, and to what extent the structure of this dyad can also be questioned.

Dvě výročí Přemysla Blažíčka

80%

Šimák P.

Česká literatura (Czech Literature)

2012

tom 60

nr 5

727-736

This article analyses the interpretation method devised by Přemysl Blažíček, based on his phenomenology-oriented philosophy and hermeneutics. It raises the question whether it is possible for an interpretation to go beyond a literary-historical and formal analysis of literary texts and to refer to a new experience of the world that is offered to the reader. It also incidentally atempts to seek out the philosophical foundations on which an interpretation of this kind is based.