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EN
TThe biographical method is one of the most characteristic methodological perspectives in the research of culture in Polish anthropology and sociology. According to this, human conduct is to be studied and understood from the perspective of the person involved, which is included in Florian Znaniecki's theory. Criticizing naturalism, he did not object natural science immobilizing its objects of research for its own purpose, and treating them as things. Biographical method exposes autonomy, self-determination and individual world view. Human experiences are not mental conditions, but objects and arrangement of objects. Human activities are not psychological processes, but functions of subjective origins and objective importance. Life history can be: complete, topical and edited. Due to its diachronic character, the biographical analysis of personal documents must generalize from the study of single cases. Cultural reality cannot be described so much in terms of casualty as in terms of the so-called long duration.
EN
The text is a presentation of main issues which were taken into consideration during the First Conference of John Dewey Center at Jagiellonian University in Kraków. The assembly took place in November 2007 and gathered the most important Polish academics specialized in American pragmatism. Larry Hickman, the President of John Dewey Center in Carbondale, USA, and an ambassador of pragmatism in the world, was the guest of honour and greatly contributed to the conference. The discussed issues covered four topics: Dewey's social philosophy, naturalism, aesthetics and the concept of experience, and the ancient roots of pragmatism.
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2004
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tom 13
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nr 2(50)
59-73
EN
The author is concerned with the problem of the nature of experience conceived as a perspectival mental picture of the world. The question she raises is: Can we make sense of the representational view, according to which there are no such items subjective, nonrelational qualia, and all mental entities--treated by anti-representationalists as qualia--are nothing but configurations of representations? Her tentative answer is yes. She goes on to argue that the representational view is more promising than the antirepresentationalis approach that highlights the significance of nonrelational qualia.
EN
This study focused on issues of information search patterns and the ways individuals use to reduce complexity of decision and form judgment on alternatives under conditions of incomplete information. The aim was to determine whether and how participants with a financial and migration experience differ from participants without this experience in acquiring and ordering information prior to choice of financial products and labour migration destination. The authors examined amount and content of information which were requested by participants in model decision tasks. Perceived expertise and experience seemed important for learning and reducing information overload. Considerable stability of preferences in decision tasks with limited and unlimited access to information was found. In pre-decisional information search dominant attributes were coming in pairs, where the first attribute related to major advantages and the second one to major costs of the potential outcomes both in financial and migration decision tasks.
EN
According to Husserl an idea (species) may be grasped by changing a visual experience of an individual object into a vision of the essence: ideation. On the basis of many individual perceptions we may become conscious of what is general. Later on Husserl acknowledged all ideal objects to be constituted by pure conscious experiences, thus to become intentional products of a transcendental subjectivity. Ingarden ascribes to an ideal being the following existential moments: autonomy, originality, non-actuality, distinctness, independence. An idea has two sides: a/ a content, comprising constants and variables and b/ the structure of idea as idea. It is the variables which determine the generality of ideas. Both constants and variables appear as components without differentiation.Ideas are beyond time and cannnot change. They are transcendent in relation to cognition and do not admit any interference. Then a relation between ideas and real objects is concerned. Husserl had detected the generality of ideas but it was Ingarden who stated what does it consist in, and namely in the presence of variables in the content of ideas.
EN
The poem Epos-nasza.1848 by C.K. Norwid is probably the first Polish literary allusion to Don Quixote. It is the evidence of the poet᾽s childhood reading of Cervantes with all the sensuality of this experience and melancholic clarity of perception it created in adult author. It is also the evidence of the significance of this experience in author᾽s art and life, taking into account both artistic and historical context (biography of the whole generation). Reading as such is the key to Norwid᾽s way of comprehending all phenomena of culture and civilisation. The figure of Don Quixote expresses values professed by the poet as well as modern world conflicts (individual vs crowd). The lyrical subject-poet᾽s identification with Don Quixote crosses the boundary between reality and fiction, drawing attention to the fundamental importance of literariness in the poem, which makes significant the opposition literariness/truth, and not fiction/reality.
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2005
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tom 14
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nr 4(56)
165-177
EN
Sartre's philosophy is analyzed against the background of the philosophical tradition of the cogito. His contributions seem most impressive in the area covered by such concepts as the subject, consciousness, self-awareness, liberty, otherness and human responsibility. Although these topics seem to have attracted his undiminished attention all the time, one should be aware that his views on these matters gradually changed in his lifetime. In social questions his main interests shifted from the role of consciousness to the ontology of practical activity. In the philosophy of the individual they shifted from individual conscience to the appreciation of individual past experience. But despite these changes he consistently retained the structure of 'présence-a-soi', first, as a specific indication of human experience, and secondly, as an idea underlying being, history and philosophy. 'Présence-a-soi', and the manner in which its pragmatic aspect is introduced into phenomenology to explain the constitutive activity of the empirical consciousness are essential factors used in the explanation of socially widespread images, thoughts and practices that flourish without having a discernible author.
EN
The article presents another opinion in the discussion held in our pages related to management control in public finance sector units. The article is the authors' reply to the article by Mariusz Matysek entitled Reference Model for the Management Control System, published in the 2/2011 edition of our bimonthly, which emphasised the complexity of the notion and experience related to the functioning of the Controlling Department in the Social Insurance Institution (ZUS). According to the authors of this article, it is required to strengthen the coordinating function in an organisation to introduce management control. And to do so, controlling tools may prove very useful.
9
Content available LA NOCIÓN DE EXPERIENCIA ÉTICA EN KAROL WOJTYLA
80%
Studia Ełckie
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2014
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tom 16
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nr 4
472-481
EN
The History of Ethics has often dissociated experience and rational normativity, which are the epistemological components of Ethics. Scheler has tried the synthesis of both through the phenomenological a prioris. But this experience is emotional and thus does not integrate enough in itself the person. This article analyses and develops the thesis of Wojtyla that there is a phenomenological experience which is simultaneously anthropological and ethical. For such an experience reveals the person in acting and her moral growth with the dinamysm of the person.
EN
The main problems of modern philosophy concern sources, limits and character of knowledge. Objectivity and validity of knowledge are justified by critique and analysis of structure and function of the mind. Investigations focus primarily on the epistemological issues. Philosophers see the roots of meaning of language in mind or experience. Pure intuition of Descartes, experience of British Empiricists, universal language of Leibniz, Kant’s notions of the pure reason and Mill’s criteria of the correct reasoning are not connected to language. In their opinion language is not a suitable means of representing the world. A very fast development of empirical linguistic studies - works of Herder, Hamann and Humboldt etc. evoke much interest in language. The situation begins to change: critique of language is gradually taking place of critique of reason. Instead of ideas in the mind philosophers discuss linguistic expressions and question of how they refer to the world.
EN
After a brief introduction to the problem of imagination (understood as an object of philosophical inquiry), the author establishes his principal distinction between two kinds of imagination: representing and participating. He also proposes a more detailed analysis of the latter, including a review of his privileged metaphors (source and warmth) and conceptual connections (presence and participation). Moreover, the article is devoted to the question of the relation between the philosophy of presence and the philosophy of absence, approached from an imaginative perspective. In conclusion, the author presents theses concerning philosophical activity itself, which is developed along the following lines: experience - vision - notion.
Filozofia (Philosophy)
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2014
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tom 69
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nr 8
666 – 677
EN
The paper examines different philosophical interpretations of a work of art as related to our experience and it´s ability. The first part gives an analysis of the process of interpretation with regard to different approaches to the problem of ontology of art. The paper also tries to answer the question of the limitations of interpretation and its place in our experiencing a work of art. Last, but not least, it is showed, how the interpretation could enhance the limits of our artistic experience.
13
Content available remote Phantom Body As Bodily Self-Consciousness
70%
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2011
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tom 2
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nr 1
135-149
EN
In the article, I propose that the body phantom is a phenomenal and functional model of one’s own body. This model has two aspects. On the one hand, it functions as a tacit sensory representation of the body that is at the same time related to the motor aspects of body functioning. On the other hand, it also has a phenomenal aspect as it constitutes the content of conscious bodily experience. This sort of tacit, functional and sensory model is related to the spatial parameters of the physical body. In the article, I postulate that this functional model or map is of crucial importance to the felt ownership parameters of the body (de Vignemont 2007), which are themselves considered as constituting the phenomenal aspect of the aforementioned model.
14
Content available remote Doświadczanie świata w czasie
70%
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2011
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tom 2
|
nr 1
59-65
EN
Objects – even tomatoes – are, in a sense, timeless – they exist, all at once, whole and integrated. Indeed, it is just this fact about objects – their timelessness – that makes it puzzling how we can experience them as we do. In the language of traditional philosophy, objects are transcendent; they outstrip our experience; they have hidden parts, always. When you perceive an object, you never take it in from all sides at once. And yet you have a sense of the presence of the object as a whole at a moment in time.
EN
In contemporary aesthetics exists an belief, that the experience of art is the primary fact, which initiates and leads theoretical reflection, as also is the state basis of creating, valuing and the opinion on art. Present text is the test of philosophical recognition of relationship between fi eld of products of new art as well as with context formative it experiences. Author motivates thesis, that radical changes in present art have their source in of meanings consisting on primary notion of experience changes. The present artistic practice goes away from aesthetical experience as empiria and the contemplation and used the notion of experience as experiment and investigation, which dismisses art from her proper functions and brings it rather to aggressive ideology of scientism. The recognition of this progressive change of meanings in founding the art notion of experience has the important consequences both for understanding of present art and for describing it theory.
EN
The book reviewed is a post-conference monograph bringing methodological findings, re-interpretations, and analyses of domestic prose in the area of postcolonial research now developing in Poland. The thematic keystone of the articles collected is the issue of migration as a response to oppressive experiences of Polish history and culture of the 20th and 21st centuries
17
Content available remote Pamięć kinestetyczna
70%
|
2011
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tom 2
|
nr T
101-124
EN
This paper attempts to elucidate the nature of kinesthetic memory, demonstrate its centrality to everyday human movement, and thereby promote fresh cognitive and phenomenological understandings of movement in everyday life. Prominent topics in this undertaking include kinesthesia, dynamics, and habit. The endeavor has both a critical and constructive dimension.
Filozofia (Philosophy)
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2013
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tom 68
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nr 7
583 – 594
EN
This paper examines some of the philosophical positions explaining the interpretation of artwork as related to its ontology and the concept of creativity. A theory of interpretation necessarily involves a certain ontological position answering questions such as: What is the object of interpretation?; What is a work of art? One can find the same close relation between a theory of interpretation and the creativity, i.e. the questions such as In what sense (if at all) is a work of art created?; What is created by an artist and what by the observer/reader/listener of a work of art?. Our interpretation and its results depend on answers to these questions. In conclusion the author gives an outline of his own position on the interpretation of a work of art in the context of the creativity and the ontology of the former.
EN
The attempt to build philosophy beyond metaphysics and the theory of cognition was dubbed by Paul Hofmann 'philosophy as the investigation of sense' (Sinnerforschung). The merit of Paul Hofmann's philosophical project - presented here only in its basic features - lies in overcoming a mental stereotype according to which 'sense' belongs to a group of indefinable basic concepts. Deep formal analyses of sense as such do not focus on the sense of objectivity alone, but also strive to grasp the sense of the subject as someone who is capable of an objective (objectifying) reflection on himself. Hofmann's studies on the sense of objectivity and subjectivity can enrich our existential understanding of the sense of life with new forms of the consciousness of sense. This is because a clarification of the coherence of the objective content of the concept of sense facilitates the development of subjective forms of experience-relevant consciousness of sense. However, a basic drawback of Hofmann's philosophy consists in the fact that a formal (a priori) definition of sense, even if it is a penetrating and accurate one, cannot replace what is currently experienced as senseful. The concept of the sense of life will never itself be the sense of life, but just its mental representation and a cognitive-volitive experience.
EN
Like other philosophical theories Husserl’s phenomenology can also be studied and interpreted. However, besides the scientific work there is also an “experimental” aspect of his phenomenology, which is visible in his descriptions and working procedures. The paper deals from the theoretical and practical perspectives with the self-constitution of the body in Husserl’s double sensation.
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