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EN
The considerations presented in the following article are focused on event tourism. The aim of the study is to determine whether participation in music events is a form of tourism or just a kind of leisure time activity. Due to this purpose a comparison of concerts and Open'er Festival participants' behavior has been made. A part of the analysis consisted in assessment of tourist activities held during the events. The study`s results reveal that participation in music events is not a separate form of tourism and a person who takes part in concerts and music festivals is not a tourist in the strict sense.
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The article is an analysis of a festival as a unique form of tourist event and tourist activity aimed at participating in festivals. The first part organizes the scientific terminology regarding ultural events and tourist trips destined at them. After that (in part two), the author positions and broadly describes the phenomenon of the festival, with the cultural events classification in the background. In part three, the most important Polish festivals are presented in six thematic groups, while the closing part briefly describes typical behaviors of festival participants.
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Every year, both in the world and Poland, electronic dance music events are organized. Tourists who attend them can be named cultural tourists (of modern culture) because of their often wide knowledge of the subject and their frequent participation in the events. The article is an attempt to investigate this rarely-analyzed phenomenon in the context of cultural tourism. It includes the following: the outline of music events history in Poland, the description of their character and organization, and a more detailed characteristic of some chosen events. The key part of the article presents the results of empirical research regarding tourists’ participation in such events in Poland and abroad.
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Content available remote Karnawał w perspektywie Listy Niematerialnego Dziedzictwa Kulturowego UNESCO
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The article presents different forms and activities of the legally-protected intangible cultural heritage with the special focus on the carnival. On the UNESO Intangible Cultural Heritage List there are currently 160 various activities, and only three carnivals among them. What is curious is that they are not the best-known or best-flourishing ones in the tourist attractions market. In the article, we will try to answer the following questions – why are so few carnival protected? and why, despite protection, the carnivals in Binche, Oruro and Barranquilla are not chosen by tourists as often as the carnivals in Venice or Rio de Janeiro? The article finishes with considerations of what form of cultural tourism is the carnival – is it event tourism? or is it the tourism of the legally-protected cultural heritage?
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The article presents potential relationships between an event and the tourist market of the chosen destination. The characteristic of the issue has been based on one of the most important cultural events in great Britain in 2011 – Prince William and Kate Middletown’s wedding. The starting point was the theoretical analysis of the event and event tourism essence as well as of the relationship between them and the tourist market. The study characterizes the kind of influence that events have on tourism and the local community, i.e. economic, socio-cultural and environmental. Further on, the author presents a few chosen issues regarding the meaning of the analyzed event for the tourist market of Great Britain, for example: including the event in promotional activities of some chosen tourist organizations and in some companies’ offers, as well as the estimated effect of the even on British destinations.
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The article presents event tourism in Portugal as one of the leading forms of cultural tourism in Europe. The aim of the article is to present the cultural wealth of this country, to select the most attractive events, in the perspective of event tourism and according to the young people, as well as to analyze their tourist attractiveness in the researchers’ opinion. The present article is the third, and the last part, of a research project carried out on the phenomenon of cultural tourism in the Iberian Peninsula.
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Spanish fiestas – apart from the fact that they are specific local festivals for the inhabitants of certain regions of the country, they are among the often-visited tourist attractions. The article presents the essence of these events and ten most important and most interesting fiesta. Moreover, it analyzes their specific character leading to the conclusion that Spanish fiestas – despite their substantial commercialization and tourism-orientation – have still remained significant local festivals.
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The article presents a new dynamically developing yet controversial, especially in terms of terminology and classification, form of cultural tourism called the event tourism. First of all, the author wishes to present those aspects which have been omitted or underdeveloped in earlier publications. These are mainly events based on promotions, fashion and developmental tendencies of the modern world: fantasy, imagination, virtual world, and even on computer games or IT in general. Events of this type gain more and more enthusiasts and themselves often become a tool used in tourist promotion or as a form of entertainment and recreation.
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Content available remote Kulturowy i turystyczny status Sylwestra
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The article attempts to establish the cultural status of the New Year’s Eve, both as a total of traditional social practices and as a cultural tourism phenomenon. The author stresses its relation to the series of Carnival celebrations. They are connected mostly through a common category used to identify them – the rites of passage. Thanks to this category it is possible to grasp the social function of The New Year’s Eve omitting symbolic-cultural meanings of the traditional-folk activities underlying them.
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