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„Przepisane” historie życia Chrystusa: Panna Ferbelin Stefana Chwina oraz Ewangelia według Jezusa Chrystusa Jose Saramago

100%

Ogonowska A.

nr 4

63-72

The matter of the article are „rewritten” stores of life of Jesus Christ. Author synthetically characterizes creation of such texts in the film production( mentions so-called biblical films and creating of the “adaptations” of the New Testament at the beginning of the cinema), she mentions also other contemporary film messages and literary texts dealing with that issue. Main topic concerning the author is an analysis of two novels: “Miss Ferbelin” by Stefan Chwin (2011) and “Gospel according to Jesus Christ” by Jose Saramago (2011).

Działanie Złego Ducha jako przedmiot katechezy na przykładzie miesięcznika „Egzorcysta”

86%

Zakrzewski G. J.

nr 1

86-94

There is no doubt that teaching in the Catholic Church of the existence of personal evil, Satan is important and necessary. Monthly magazine „Egzorcysta” gathered a group of people competent and having practical experience in this field. There are number of interviews and regular headings which help to understand how the Devil acts in the human life. However, not enough space is dedicated to touch upon the psychological aspect of the whole reality of Satan`s activity including spiritual enslavement and possession. In addition, this magazine lacks a wide range of interpretations of the texts from the Bible and the teaching of the Fathers of the Church. Even though monthly magazine „Egzorcysta” is an interesting form of catechesis in the given matter, it has also certain shortcomings and mistakes.

Faces of Evil in Nubian Wall-Painting – An Overview

72%

Innemée K. C. , Zielińska D.

tom XXXII

121-144

In Christian wall-paintings in Nubia a recurring theme is the struggle between Good and Evil. In this article an overview is given of the various ways in which Evil is depicted or personified, ranging from animals to humans and the hybrid ways in which Satan and his helpers are represented. These different ways have been inspired by sources from a canonical biblical, apocryphal and mythological character.

Imaging Evil in the First Chapters of Genesis: Texts behind the Images in Eastern Orthodox Art

72%

Kuyumdzhieva M.

2016

tom 6

377-396

Satan’s interference in the events described in the first chapters of the book of Genesis and in the life of the protoplasts is not mentioned at all in the biblical text. This happens, however, in pseudo-canonical texts. The article is a short survey on the apocryphal accounts that mention Satan and their influence on art. The main focus is put on the inclusion of the image of Satan behind Cain’s figure in a number of depictions of the scene The Murder of Abel in the Russian art of the 16th and 17th centuries. The possible links between this visual motif with several literary sources is examined, among them the Short and the Explanatory Palaea, the Tale of Bygone Years (Povest’ vremennykh let or Primary Chronicle), Russian recensions of the apocryphon The Sea of Tiberias, and of The Revelation of Pseudo-Methodius of Patara. In addition, some instances of the same visual decision in Balkan art are pointed out and their connection to Russian models is underlined.

„Nad Pismo Święte przyczyniać”. Kontekst teologiczny sceny zstąpienia do piekieł w Historyi o chwalebym Zmartwychwstaniu Pańskim Mikołaja z Wilkowiecka

58%

Bondaruk P.

tom 1

7-19

The article reflects upon the scene of the Descent into Hell from Historyja o chwalebnym Zmartwychwstaniu Pańskim, in the theological context. The reading of the Easter mystery play from the perspective of the Church fathers and Medieval writers is explained by the author himself, Mikołaj from Wilkowiecko (16th century). The conflict between God and Satan, the climax of the mystery play, is presented from three angles: as a dialogue of the omniscience and ignorance, a battle of the omnipotence and impotence and a dispute between law and chaos.