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TRI FILMY O NEDÔVERE. NEDÔVERA V SYSTÉMOVÉ PRVKY SPOLOČNOSTI V SLOVENSKEJ KINEMATOGRAFII OBDOBIA KONSOLIDÁCIE

100%

Dudková J.

Slovenské divadlo (Slovak Theatre)

2017

tom 65

nr 4

345 – 360

Using the example of three films – Kandidát (The Candidate, 2013, dir. Jonáš Karásek), Pirko (Little Feather, 2016, dir. Lucia and Petr Klein Svoboda), and Únos (Kidnapping, 2017, dir. Mariana Čengel-Solčanská), the present study deals with distrust in the systemic elements of society in Slovak feature films in the period following the establishment of the Audio-visual Fund (2009). By means of a thematic and stylistic analysis, it points to the similarities between the selected films. It shows their rootedness in the established trends of Slovak cinema as well as their diversion from them, which is mirrored in their dialogical work with the phenomenon of reality, by creating an illusion of anticipation or influencing future action.

O nieskuteczności prowokowania nieufności

100%

Parzuchowski M.

Psychologia Społeczna

2008

tom 3

nr 4(9)

362-365

Witkowski accomplished a successful hoax publishing an article in the popular science magazine Charaktery that reviewed a bogus therapy that readers found interesting and believable. This commentary approaches the debate from two standpoints: (1) hoax type of provocations should be addressed to a critical reader; (2) provoking readers’ distrust does not help them choose an efficient therapy. The described provocation is discussed in relation to therapeutic choices by oncology patients.