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Entre Espanya y España. El recurso de las citas en español en la obra poética de Joan Brossa
100%
Kurek M.
Estudios Hispánicos
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2014
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tom 22
61 - 70
EN
Joan Brossa’s poetry, written entirely in Catalan, includes many citations in Spanish taken from the original documents, such as letters, articles, speeches, publications, that prove the political indoctrination of the Francoist propaganda but also the linguistic manipulation among the businessmen.
2
Content available “Els entra-i-surts del poeta”. Joan Brossa entre la vanguardia y el postmodernismo
99%
Kurek M.
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tom 40
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nr 2
91-104
EN
The poetry of Joan Brossa (1919-1998), because of its complexity and size, testifies the adventures that has lived the Western literature in the second half of the twentieth century: from the depletion of traditional avant-gardes, going through the movements of neo- or transavantgarde, up to the manifestos of the “literature of exhaustion” or postmodern. The present study aims to discuss the collection of seven volumes of poetry of Joan Brossa, written between 1969 and 1975, and published between 1983 and 1989 under the general title "Els entra-i-surts del poeta", which we consider as one of the most consistent editorial and lyrical author’s projects. We put emphasis on the issue of continuation / break up between the modernist concepts of language and the postmodern plurality, treatment of reality as text or writing, free play of imagination: all this not as a picture of disintegrated world but as positive refl ection of a polymorphic reality.
PL
The poetry of Joan Brossa (1919-1998), because of its complexity and size, testifies the adventures that has lived the Western literature in the second half of the twentieth century: from the depletion of traditional avant-gardes, going through the movements of neo- or transavantgarde, up to the manifestos of the “literature of exhaustion” or postmodern. The present study aims to discuss the collection of seven volumes of poetry of Joan Brossa, written between 1969 and 1975, and published between 1983 and 1989 under the general title "Els entra-i-surts del poeta", which we consider as one of the most consistent editorial and lyrical author’s projects. We put emphasis on the issue of continuation / break up between the modernist concepts of language and the postmodern plurality, treatment of reality as text or writing, free play of imagination: all this not as a picture of disintegrated world but as positive reflection of a polymorphic reality.
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