The aim of the text is to present images of Camões created by nineteenth-centu- ry Polish writers. The author of the article refers to the following literary works: Kamoens w szpitalu [Camões in Hospital] by Julian Korsak, Kamoens by Fryderyk Halm and Don Sébastien de Portugal by Aleksander Przezdziecki. All these au- thors regarded Camões as an outstanding and suffering poet, who believed in a specific form messianism.
Considering the necessary dialogue between Modernity and tradition, this text aims to reflect on new possible approaches to the concepts of centrality and periphery within the present context of socio-economic and political globalization, thus antecipating the birth of a new multicultural Modernity.
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