Wyniki wyszukiwania - Biblioteka Nauki

1

CULTURAL HERITAGE OF THE POST-TOTALITARIAN CITIES: 20TH AND 21ST CENTURIES. FOREWORD

100%

Pokludová A. , Pekár M.

Mesto a dejiny

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2016

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tom 5

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nr 2

36 – 37

EN

Throughout the world cities after the fall of the totalitarian regimes deal with numerous issues that affect the everyday life of their inhabitants. The cities, which benefited from the economic direction of the totalitarian regime concerning selected sectors of the economy, may become sites on the periphery of events after several years. Conversely, the democratization of post-totalitarian societies associated with the opening of borders, free movement of persons, knowledge and technologies in a short time can affect the development of cities and towns stagnating in the previous era.

2

NOVÉ PRÍSTUPY K VÝSKUMU KULTÚRNEHO DEDIČSTVA

80%

Bitušíková A.

Etnologické rozpravy (Ethnological Disputes)

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2015

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tom 22

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nr 1

7 – 14

EN

The paper deals with the latest perspectives in cultural heritage research. It looks at reasons of an increasing interest in cultural heritage in the era of globalisation as well as at threats that turn heritage into a profitable commodity. It presents a number of cultural heritage definitions. All of them show cultural heritage as a bond between past, present and future generations that is preserved by transmission of knowledge of tangible and intangible cultural forms. The paper brings an overview of the latest theoretical approaches to the study of heritage and of the most frequent themes and topics in the research of cultural heritage in Europe.

3

TRENCIN BETWEEN TRADITION, TRANSFORMATION AND GLOBALIZATION. CONSTANT POINTS OF ONE TOWN LOCAL POLICY

80%

Vrzgulova M.

Slovenský národopis (Slovak Ethnology)

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2007

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tom 55

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nr 4

464-480

EN

After the year 1989, political break brought complex of the changes, which influenced the whole every-day life in Slovak society. The case study shows how the transformation process together with the processes of a globalization and localization determined the local identity and local policy in one town, and shows the importance of local history and cultural heritage in the nowadays local policy.

4

Kuldīgas novada muzejs

80%

Antoniška D.

Makslas Vesture un Teorija

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2014

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tom 17

46-51

EN

The article introduces Kuldīga Regional Museum situated in the picturesque town in the west part of Latvia. The museum stands in the place of the old castle of the Livonian Order, while the building itself dates back to the early 20th century. The museum’s history as well as its art collection and interiors are presented in the article.

5

Działalność Ministerstwa Wyznań Religijnych i Oświecenia Publicznego w Drugiej Rzeczypospolitej w zakresie ochrony przyrody

80%

Wolter E.

Studia Ecologiae et Bioethicae

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2012

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tom 10

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nr 2

9-30

EN

The article covers the period between 1918 and 1939. The first part explains the normative acts which were the basis for nature conservation and cooperation between the Ministry of Religious Denominations and Public Enlightenment, the Polish Natural Science Museum in Warsaw, and the State Council for Nature Conservation. The second part presents the editorial activities of the State Council for Nature Conservation (the chairman of which was the Minister of Religious Denominations and Public Enlightenment) concerning nature conservation. The authors of the publication are: Seweryn Dziubałtowski, Karol Domin, Andrzej Czudek, rev. Henryk Weryński, and Jan Sokołowski. The publication also includes the Act of March 10, 1934 on nature conservation, the provisions of this act being popular in Poland at that time due to the fact that the majority of the population were mainly peasants. 60% of Polish inhabitants lived in rural areas and worked on the land.

6

Turystyka dziedzictwa kulturowego - wybrane aspekty ochrony prawnej parku kulturowego

80%

Lipińska I.

Turystyka Kulturowa

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2011

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nr 3

14-27

EN

A cultural park is one of the legal forms of historical buildings’ protection. It is brought to life in order to protect cultural landscape and to preserve areas of the outstanding scenic beauty with their immovable historical facilities characteristic for the local building and settlement tradition. Nowadays, there are twenty-one cultural parks in twelve provinces in the territory of Poland. Potentially, various types of tourism can take place there.

7

Polskie dziedzictwo kulturowe na Łotwie – niewykorzystany potencjał turystyczny

80%

Piasta M.

Turystyka Kulturowa

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2011

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nr 8

30-49

EN

In the article, the author focuses on showing the rich, yet little-known and disappearing, Polish cultural heritage in Latvia as a unique potential for cultural tourism. He presents some chosen buildings and places together with the evaluation of their availability and tourist attractiveness. The end of the article introduces an example tourist route which can be created in Latvia to attract Polish cultural tourist as well as to help to enliven and protect the facilities and places included in the route.

8

SÚKROMNÉ ZBIERKY DIGITÁLNYCH ARTEFAKTOV V PROCESOCH DEMATERIALIZÁCIE KULTÚRY

80%

Rankov P.

World Literature Studies

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2016

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tom 8

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nr 3

3 – 14

EN

The digital remediation of collections is also the dematerialization of these collections. Concurrently with large national and international projects of digitization of cultural heritage, family and personal possessions like photograph albums, videos and letters are also remediated. The meaning of these objects originated in their own context and is linked to their emotional surplus value. These collections participate in the creation of the identity of the proprietor. When cultural content loses its material medium, in some circumstances it loses also its aura – it is no longer an artefact.

9

VEDECKO-PUBLIKAČNÁ, EDIČNÁ A PROJEKTOVÁ ČINNOSŤ ODBORU MUZEOLÓGIA A KULTÚRNE DEDIČSTVO V BRATISLAVE

80%

Vargová L.

Muzeológia a kultúrne dedičstvo

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2017

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tom 5

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nr 2

183 – 189

EN

The article summarises scientific and publication and editorial activities of museology department in Bratislava during the last two years. It concentrates on their classification and basic evaluation with regards to museum theory, practice and Slovak historiography.

10

ÚLOHA VÝSKUMU V PROCESE UCHOVANIA A VEDECKÉHO ZHODNOCOVANIA KULTÚRNEHO DEDIČSTVA V MÚZEU

80%

Krišková Z.

Muzeológia a kultúrne dedičstvo

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2014

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tom 2

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nr 1

29 – 39

EN

We examine the role and importance of scientific research in the process of obtaining and scientifically assessing the cultural heritage in museum as a memory institution. This research is a part of a complex approach to the phenomenon of documenting a society’s development and as such, it must give equal attention to tangible and intangible cultural heritage which is often difficult to do in practice. In this context, we focus our attention on eco-museums which aside from preserving and presenting also aim to at least partially revitalize cultural heritage in its natural environment.

11

CULTURAL HERITAGE OF POST-SOCIALIST NEW TOWNS. A COMPARISON OF EISENHÜTTENSTADT AND VELENJE

80%

Kladnik A. , Ludwig A.

Mesto a dejiny

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2016

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tom 5

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nr 2

50 – 67

EN

This paper deals with the issue of the New Towns built in the 1950s in East Germany and Yugoslavia, in particular Eisenhüttenstadt in Germany and Velenje in Slovenia. The authors would argue that socialist New Towns have gained historical and public recognition over recent decades and seem to have adopted a sense of heritage, both on the local and national levels. This article discusses the interpretations and recognition of (post-) socialist towns as places of cultural and historical value, as well as the post-socialist practices of the locals with regard to the cultural heritage of their towns. The national and local recognition of both New Towns reflect their position at the time of their planning and building in the 1950s. Eisenhüttenstadt was a showcase town for East Germany and has currently been (inter-) nationally recognised as a new, model town, while lacking a local sense of heritage. On the other hand, plans for the new town centre of Velenje, its financing and construction, were initiated by the local authorities and the Coal Mine Company managers, with the substantial assistance of the town’s residents. While the New Town of Velenje immediately started to cultivate its mining identity, as well as the value of being a town built with the voluntary contribution of its residents, the heritage of Velenje being a new, modern town was and is discussed and contested locally and only partly nationally.

12

Główne aspekty organizacji i koordynacji turystyki tematycznej na przykładzie „El Legado Andalusĺ”

71%

Buryan P. , Mikos von Rohrscheidt A.

Turystyka Kulturowa

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2010

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nr 5

28-51

EN

El Legado Andalusí Foundation, set up in 1995, fulfilling its statutory goals and being supported by many respectable institutions, began to develop the concept of al-Andalus cultural routes. All the created routes, in terms of theme and direction, refer to the period of Arabic rule in Andalusia form the 8th to the 15th century. The aim of the article is to evaluate the level of organization of these cultural-tourist products. Their thorough analysis allows to draw the following conclusions: regardless of the excellent substantive preparation, they are virtual and organizationally underdone, to a large extent. They are rather a germ of an extremely interesting offer of cultural tourism. At the same time, large-scale activities carried out by the Foundation bring the Spanish-Muslim culture closer to those who are interested and they encourage to explore the offered theme routes.

13

KOLEKTÍVNA PAMÄŤ GENERÁCIE Y V EURÓPSKOM PROJEKTOVANÍ VÝSKUMU

70%

Murin I.

Etnologické rozpravy (Ethnological Disputes)

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2015

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tom 22

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nr 1

24 – 40

EN

The article explores a few aspects of generation collective memory in millennium generation that is named Generation Y (Gen Y). This topic is based on drivers included in Strategic Research Agenda of Joint Program Initiative: Cultural Heritage and Global Change. Drivers lead attentions of researchers to generation transmission and collective memory and necessity realise empirical verifications. The author applied expertise of Real-Time Delphy Study on the Future of Cultural Heritage Research to description changes in generation perception of folklorism. Globalisation impact is studied on different preference transmission of content collective memory. Significant global generational changes are registered in technical and interpersonal contact communication, preference of memos vehicles and culture heritage functions.

14

Kultūras mantojums un politiskā ideoloģija: Rīgas Māras baznīcas izdaiļošanas projekts. 20. gadsimta 30. gadi

70%

Grosmane E.

Makslas Vesture un Teorija

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2014

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tom 17

36-45

EN

The article deals with the political and ideological conditions in the early 1930s that encouraged the eviction of the Riga Dom Cathedral’s German congregation, renaming the church as Māra’s Church and the elaboration of a project to give the building a Latvian character. The political situation after World War I and the power vacuum in the Eastern Baltic region created favourable conditions for the foundation of an independent state and shake off the dominant German and Russian influences. Initially the state institutions did not interfere in art processes. However, quite early on, an increasing tendency emerged to extol the significance of Latvian national identity as opposed to the contribution of other ethnic groups to the local culture. This attitude rapidly consolidated in the 1930s and had a negative effect on the current art, architecture and cultural heritage. Latvian national self-esteem grew incompatible with the city’s largest church belonging to a German congregation. The renaming of the church allows us to follow this process. German historians of architecture called it St. Mary’s Dom Cathedral (Der Dom zu St. Marien) while already since 1923, the Latvian press of the day began to call it after the pagan deity Māra. The next step to strengthen national self-consciousness and search for national identity was a press announcement that the interior of Māra’s Church had to be given a Latvian appearance. Information on the competition is scarce. Only one applicant is known whose submission was published in the magazine ‘Atpūta’ (Leisure) on 17 November 1933. The main author of the sketches was Professor Jānis Kuga of the Latvian Academy of Art. The artist has attempted to follow the instructions set down by the commission, synthesising religious symbols with themes from the history of Latvia. However, the ambitious plan of the Latvianised Dom turned out to be too much in discord with the status of the medieval monument and was never realised.

15

COOPERATION BETWEEN POLISH AND UKRAINIAN LIBRARIANS AND THE PROBLEMS OF CLAIMS. A REPORT FOR 1990-2010. (Wspólpraca polskich i ukrainskich srodowisk bibliotekarskich z problemami roszczen w tle. Raport z lat 1990-2010)

70%

Laskarzewska H.

Roczniki Biblioteczne

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2010

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tom 54

193-236

EN

The article examines the contacts between Polish and Ukrainian libraries as they developed after 1990, when both countries began to reveal and make increasingly available the collections taken over and displaced as a result of WWII. What was particularly important for Polish librarians was access to book collections of Polish origin held by Ukrainian libraries as well as new information about collections that constituted part of Poland's cultural heritage. On the Polish side, this cooperation involved the National Library (Biblioteka Narodowa) and the Ossolinski National Institute in Wroclaw (Biblioteka Zakladu Narodowego im. Ossolinskich), universities and non-governmental organisations. 1996 was marked by the launch of the Polish-Ukrainian Intergovernmental Commission for the Protection and Return of Cultural Goods Lost and Unlawfully Displaced during WWII. Teams dealing with library collections and with Ossolineum were established within the Commission. The last twenty years have seen many joint conferences and research projects, including those dealing with the protection and preservation of various collections. On both sides of the border there have been many publications devoted to polonica in Ukraine and ukrainica in Poland; these include monographs, studies collection catalogues, internet databases, etc. A selection of these publications is presented in two annexes to this article.

16

"Po nas choćby Potop"? Zachowanie sztuki naszych czasów

70%

Jadzińska M.

Sztuka i Dokumentacja

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2011

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nr 5

21-28

EN

This article outlines issues associated with the preservation and conservation of contemporary art and the role that documentation plays in this process. A contemporary artwork, in order to become an object of interest, analysis, purchase, collecting, exhibiting etc. must exist, and its existence must be preserved. Its preservation does not always mean, however, fixing the matter and halting the processes of deterioration such as in the case of traditional art, but it may adopt a totally different form, for example preservation in the form of documentation. The changeable character of ephemeral art, the use of perishable materials or ready-mades, as well as innovative concepts and techniques makes conservation a complex issue. An additional worrying factor is also often improperly conducted activities associated with exhibiting, transportation or storing of the artworks that cause a falsification of the artist's concept and destruction of an artwork's structure. The conservator must analyse, identify and preserve the matter in a professional way or, on the contrary, after an appropriate examination, act according to the artist's intention, and treat it in a way that is adequate to the artwork's character. This may involve the making of a replica, a reconstruction, an emulation, a re-enactment or preservation through documenting, or it may use entirely different possibilities of modern conservation. One must set a proper strategy of care and protection over the works of art and the proceedings must keep the authenticity of the artwork. The author of this article analyses the notion of authenticity and shows the change in understanding this concept, and the influence which this change had on the form and method of preserving artworks in the past, in contrast with contemporary visual art. She writes about the new role of an artwork's matter and substance, and the challenges that result from it, and about the new role and relationship between a conservator, an artist and other 'stakeholders'. She describes the threats to preservation and the aims and limits of preservation and conservation, pointing out the key role of documentation. She also pays attention to various forms of documentation by illustrating the article with comprehensive examples of good and bad practices associated with documenting contemporary artworks.

17

KULINÁRNA KULTÚRA SLOVENSKA: VÝSKUM REGIONÁLNEJ DIVERSITY

70%

Stoličná R.

Slovenský národopis (Slovak Ethnology)

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2013

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tom 61

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nr 2

155 – 167

EN

At a time of powerful globalising and unifying processes in food preparation, there are notable tendencies towards a return to culinary traditions, in the context of the search for the cultural identities within various societies. People are seeking out specialities of regional cuisine not only as a culinary experience but also as a guarantee of high-quality, authentic foodstuffs. In this context the academic project “The Culinary Culture of the Regions of Slovakia” was accomplished during 2010 – 2012. Here the authors applied ethnological approaches in the examination of food, with the aim of presenting the regional forms of traditional cuisine in Slovakia in the greatest possible complexity and, as far as practicable, in all relevant connections. This cultural phenomenon was analysed in twenty two regions of Slovakia in the first half of the 20th century. Each region was presented in its historical, economic, social, ethnic, religious and ethnographic contexts. The opening section on regional cuisine was devoted to traditional modes of preparing and consuming foods, with a presentation of kitchen equipment, techniques of boiling and roasting, and modes of consuming foods inside and outside the home. Using this approach, the authors sought to give a more detailed presentation of the range and frequency of fundamental foodstuffs in the preparation of foods, and to confirm the assumption that there were marked differences in the higher Carpathian regions and lowland regions of Slovakia. A further part of the research analysis was devoted to occasional foods. The findings of this project focused on researching the forms of traditional food preparation models, which have shown the rich diversity of the culinary culture of Slovakia, not only bear witness to the richness of this cultural phenomenon but may also be used, for example, in gastronomy, the travel industry, regional tourism, and so on.

18

KULTÚRNE DEDIČSTVO V MESTSKOM PROSTREDÍ (IDENTIFIKÁCIA, NE/UCHOVÁVANIE, PREZENTÁCIA)

70%

Darulová J.

Etnologické rozpravy (Ethnological Disputes)

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2015

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tom 22

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nr 1

78 – 87

EN

The study deals with the issue of cultural heritage in urban environment in the post-socialist period. It results from the theoretical concept of deindustrialization. The study indicates that the end of the industrialization era left dysfunctional industrial and warehouse buildings (brownfields) in cities – in the periphery and central parts, too. Those are in the centres of attention of developers. However, some examples from abroad signify that it is possible to recover those objects and use in tourism as the cultural heritage. The study shows the negative example of Medený Hámor in Banská Bystrica one of the most important technical heritages of Europe and world as well.

19

FOLKLORE AS A CONSTRUCT? (Folklor ako konstrukt?)

70%

Krekovicova E.

Slovenský národopis (Slovak Ethnology)

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2009

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tom 57

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nr 2

162-175

EN

The contribution focuses on terminological as well as theoretical and methodological problems of research studies conducted at the turn of the millennia, which concerns the stating of the position of folkloristics, regarded as a constituent not only in ethnology but also in ethnomusicology, in the relation to ethnology (cultural constructs, folklore, narrativity, cultural heritage and European ethnology). The authoress pointed out that the specification of the term 'construct' from aspect of ethnology is still rather ambiguous.

20

KULTÚRNE DEDIČSTVO AKO SYMBOL IDENTITY

70%

Danglová O.

Etnologické rozpravy (Ethnological Disputes)

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2013

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tom 20

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nr 1-2

38 – 54

EN

The contribution is based on the case study of the Municipality of Čičmany. In highlights how the strong identification elements of a local cultural tradition – in the case of Čičmany the elements of buildings, clothing and decorative culture – have been preserved in live form from a longer historic perspective and how their meaning has been modified in time. The contribution shows the phenomena, inherent to the authentically lived world of local people, have gradually turned to a representative cultural particularity appraised both by experts and by the general public. The article shows how they have become a cultural commodity with the potential to be used in the development of tourism, or as a cultural element transformed to a national representative symbol.