Nowadays, folk movement is still an important part of cultural and social life in Slovakia. The mission of Ethnological sciences, especially Folkloristics, should therefore be i. a. the documentation and analysis of processes in folklorism, in which folk movement is very important and closely related component. Nevertheless, the Folkloristics stopped deal with this issue by the end of the 20th century. The aim of this paper is to highlight the important position of prof. Štefan Nosáľ in the second half of the 20th century in the process of creating the artistic direction of significant folk dance choreographers active mainly in amateur folk movement in Slovakia. This paper also highlights the aesthetic criterions of the most representative folk dance choreographers in the placing folklore material on the stage, their inspiration for the choreographic production, but especially the perception of stage folk dance by leading authorities in the folk movement in Slovakia in the defined period.
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