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Emigracja jako czynnik konsolidacji i rewizji kobiecego projektu tożsamościowego. Węgierskie doświadczenia Boženy Němcovej

100%

Filipowicz M.

Bohemistyka

2020

nr 1

5-21

In the 1850’s the Austrian authorities repressed some Czech national activists, which in many cases lead to voluntary or forced exile. This was also the case for Božena Němcová’s husband Josef. In 1851 due to his awareness of changes in the political climate and forthcoming persecutions he decided to apply for relocation to Hungary. The paper focuses on Němcová’s correspondence with her husband as well as her travel journal (The Memories of the Hungarian Journey – 1854) and considers the following question. Was her constant refusal to go into exile an important moment for creating her female self?

W latach pięćdziesiątych XIX wieku austriackie władze zastosowały represje wobec niektórych działaczy czeskiego ruchu narodowego, co w wielu przypadkach prowadziło do dobrowolnej lub przymusowej emigracji. Dotyczyło to również męża Boženy Němcovej – Josefa. W 1850 roku, mając świadomość nadchodzącej zmiany klimatu politycznego, zdecydował się złożyć podanie o przeniesienie na Węgry. Artykuł koncentruje się na korespondencji pisarki z tego okresu oraz jej dzienniku podróży (Vzpomínky z cesty po Uhřích – 1854) i próbuje odpowiedzieć na następujące pytanie, czy opór pisarki wobec konieczności udania się na emigrację stanowił istotny moment w kształtowaniu się jej kobiecej tożsamości?

K metaforám v Babičce po pitvě z hlediska kognitivní lingvistiky

71%

Zábranský L.

2013

nr 70/1

147-166

The author examined metaphorical concepts in this Czech parody of the famous work by Božena Němcová (The Grandmother). Based on excerpts, an analysis of metaphorical concepts was conducted. Whenever possible, the author took etymology into account during the research. „Babička po pitvě” (BPP) is a parody, as indicated already by its very title. Assurance comes with the finding of a mirrored condensed morphology of BPP with respect to the original. Both BPP and The Grandmother contain 18 chapters and four identical plot lines. To parody the original, Hynek uses formal sentence structures, simple syntax prevails, often exacerbated to the extreme, thus giving a simplified and scholarly limited impression. The characters in BPP are exposed as: ethnocentric, naive, limited, religious, belonging to a foreign language affiliation, vulgar, capricious, altruistic, sexually unsatisfied or only temporarily satisfied. The image of the world in Staré bělidlo (Old BleachingGround) is: prejudiced, superstitious, anthropocentric, subjective, superficial, limited, firmly grounded in the natural cycle and traditions associated with it. Procedures and traditional findings of cognitive linguistics/ language picture of the world have been positively verified. The morbid, Erotic, socially incorrect, cynical, dissonant as well as poetic and gentle satire of BPP thus represents an eccentric and rich foam of comedy, however, under its thick surface we find more serious content, raising social, moral and value issues; using parody, BPP thus fundamentally challenges the traditional values demonstrated in The Grandmother.

Slovenské obrazy Boženy Němcové

57%

Štěpánová I.

nr 3

281-298

The paper deals with the activities of the writer Božena Němcová in Slovakia in the years 1851-1855. She visited Slovakia four times in this period (three times she visited her husband who worked here in civil service, her last stay was intended as a cure, while most of the time Němcová devoted to ethnographic research). All her stays resulted in contributions based on active observation, ethnographic and folkloristic research, consultations with a number of Slovak intellectuals dealing with both humanities and natural sciences. The results of the individual stays differ both in form and quality. They proceed from journalistic „causerie“ towards serious attempts of monographic elaboration of natural background, history, demography, sociological, ethnographical and gen-der facts of a given region. The contribution to folkloristic is outstanding. The writer used Slovak inspirations also in her fiction. Thanks to her activities, Bože-na Němcová belongs to the history of Slovak ethnology.