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ŠIMON PETR V LK 5,1–11

100%

Mareček P.

Studia theologica

2012

tom 14

nr 4

1–18

The purpose of the paper “Simon Peter in Luke 5:1–11” is, on the one hand, to point out the importance of the call of the first disciples of Jesus in Luke 5:1–11 in the structure of the Gospel of Luke and on the other hand to present the main characteristics of the portrait of Simon Peter in Luke 5:1–11 and its significance in the Third Gospel. The story in Luke 5:1–11, which may be considered a programmatic text of the Gospel of Luke, focuses on the person of Simon Peter, Jesus’ disciple, who has a prominent status among the apostles in the gospel. This event is closely connected with the teaching and miraculous activity of Jesus with which he inaugurated his public ministry in Nazareth (Luke 4:16–30: teaching activity) and Capernaum (Luke 4:31–41: miraculous activity) and which is a characteristic feature of his entire ministry in the Judean country (Luke 5:1–19:27). This story illustrates, via the person of Simon Peter, how the call is connected on the one hand with the actively displayed attitude of faith/trust towards the authority of Jesus and the power of his word and on the other hand with the profession both of one’s own sinfulness and of Jesus’ dignity.

Cezarego z Arles (470/471-542/543) rozumienie symboli Apokalipsy św. Jana Apostoła (1-9)

100%

Kimsza R.

Rocznik Teologii Katolickiej

2012

tom 11

47-60

Caesarius of Arles lived and worked at the turn of the 5th and 6th century. He is the saint of the Catholic Church from the period of early Christianity. The themes of his literary work are related to biblical exegesis and Christian asceticism. One of his comments is the biblical explanation of Revelation according to John the Apostle. The author explains the meaning of the symbols that were the subject of the vision of the author of the last book of the Bible. They relate to Jesus Christ - the Church, Satan, and people.

Fusca sum et formosa. Svatost církve a svatost duše podle Origenových výkladů Velepísně

75%

Karfíková L.

Studia theologica

2010

tom 12

nr 3

1-18

In Origen's Commentaries on the Song of Songs, Holiness of the Church seems to be above all (if not exclusively) holiness of the 'ecclesiastical souls' purged by their proximity to Christ. Although Origen presents the Church as 'black and comely' bride he does not mean that she would be both holy and sinful, as it is the case in the works of some other Christian interpreters.