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tom 13
113-132
EN
The aim of the article is to present the opportunities and limitations associated with analyses of the audiosphere in social studies. The author proposes a multi-sensory perspective in her research that enables her to capture the multi-sensory structure of places. In her paper, she describes the development of the anthropology of the senses, methodology of sensory research and forms of representing the data collected in such research. She presents her own experience related to the project “Audiosphere — anthropology of the senses,” pointing at the same time to problems associated with the implementation of such proposals.
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tom 13
145-156
EN
The paper seeks to reconstruct the sonic environment of Lower Silesian industry exhibitions in the 19th century and in the first half of the 20th century. The author draws on sources concerning the exhibitions held in Breslau, Schweidnitz, Liegnitz, and Görlitz between 1820 and 1905 such as exhibition catalogues, reports, press accounts, etc. The sound environment of the exhibitions included sound signals, songs performed at exhibition openings, and pieces composed for the exhibitions. Craft and industry products on display included musical instruments — some of them experimental — whose sound was subjected to the assessment of visitors. In addition, there was a profusion of non-music audio phenomena produced by people, animals and exhibits such as machines. Extant press accounts tell us how visitors responded to these “fascinating,” if sometimes “off-putting,” sounds.
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