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2 Národopisná revue (Journal of Ethnology)

2 2012

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Rukopisná zbierka ľudových piesní Jána Klempu Jacovského vo vzťahu k literárno-estetickým kritériám poslednej tretiny 19. storočia

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Záhumenská M.

Národopisná revue (Journal of Ethnology)

2012

tom 22

nr 4

259 – 263

The study pays attention to the manuscript collection assembled by Ján Klempa Jacovský, which came into being in the last third of the 19th century. It consists of two volumes, the first of which contains 95 song texts and the other one contains up to 127 song texts. A part of Jancovský´s records was published in 1880 in the book titled Písně slovenské (The Slovakian Songs), edited by Andrej Halaša. The manuscript collection as a whole is an important proof for the contemporary work of those who collect and record the texts of Slovakian folk songs. It also documents the repertoáre from the area around the town of Trnava, to which not much attention has been paid so far. In his manuscript, Ján Klempa Jacovský refers to an older collection compiled by Ján Kollár. As resulting from his comments, Jacovský knew the Kollár´s work very well, resp. he worked with it and compared the recorded song texts. Although Ján Klempa Jacovský recorded the texts of folk songs without their melodies, his collection’s historic value is inestimable for us today. Even if the text of a folk song, i.e. a fragment of the song’s original, is recorded, such a record bears witness about the simultaneous relation to folk songs and their aesthetical and artistic value.

Folklór z hľadiska estetických kategórií

75%

Hamar J.

Národopisná revue (Journal of Ethnology)

2012

tom 22

nr 4

239 – 245

In the last decades, a lot of scientific disciplines have dealt rather with the folklore poetics than the folklore aesthetics. Such ideas were represented especially by literary scientists, ethnologists, linguists, and philosophers from the environment of the Prague Linguistics Circle, the Russian formalists and the Tartu School. In folklore, the presence of antique aesthetic tradition has been evident until today. The aesthetics of folklore is based on the archetype essence of folk art, which is symptomatic especially for literary folklore. For example, the space, the characters, the stories etc. dispose of predestined trajectories that are forming the entire theme and action and the topics and metaphoric of the story, the place, the characters, and their behaviour. This is simile to the aesthetic categories in folklore. Within folk environment, the aesthetic function plays an important role when the facts are adopted through cognition and feelings of beauty. Nowadays, folklore is losing the natural conditions of its existence, which directly endangers the syncretism nature of folk art.