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TO WHAT DOES THE WORD ‘BEAUTY’ REFER?

100%

Kirwan J.

tom 12

nr 2

13 - 27

Beauty is a particular kind of aesthetic experience. Aesthetic experience can be divided into various categories according to the kind of aesthetic property (beautiful, sublime, elegant, cool, profound, etc.) that is attributed to the object. The phenomenal bases of these different properties are the objective qualities shared by the objects to which the category is attributed. That is, objects that are, for example, perceived as sublime can be shown to have certain objective qualities in common. This holds true of all nameable aesthetic properties except for beauty. Even within the same class of objects, there are no discoverable common objective qualities that are necessarily present in every attribution of beauty. This lack of content to beauty has led to the word being used informally as a blanket term for aesthetic value. However, where this use has entered aesthetics (as the philosophy of art), obfuscation has resulted.

Folklór z hľadiska estetických kategórií

75%

Hamar J.

Národopisná revue (Journal of Ethnology)

2012

tom 22

nr 4

239 – 245

In the last decades, a lot of scientific disciplines have dealt rather with the folklore poetics than the folklore aesthetics. Such ideas were represented especially by literary scientists, ethnologists, linguists, and philosophers from the environment of the Prague Linguistics Circle, the Russian formalists and the Tartu School. In folklore, the presence of antique aesthetic tradition has been evident until today. The aesthetics of folklore is based on the archetype essence of folk art, which is symptomatic especially for literary folklore. For example, the space, the characters, the stories etc. dispose of predestined trajectories that are forming the entire theme and action and the topics and metaphoric of the story, the place, the characters, and their behaviour. This is simile to the aesthetic categories in folklore. Within folk environment, the aesthetic function plays an important role when the facts are adopted through cognition and feelings of beauty. Nowadays, folklore is losing the natural conditions of its existence, which directly endangers the syncretism nature of folk art.