Problems of theoretical interpretation of tendencies of changes in post-Soviet cultural space are covered. The main attention is given to a problem of methodological adaptation in domestic humanities of the basic paradigms of the description of the global present.
In the Olena Rebrova’s article “Artistic Identification as the Factor of Music and Choreography Teacher’s Training in Multicultural Education Condition”, two concepts: “artistic identity” and “artistic identification” are clarified. This paper then defines pedagogical functions of artistic identification and helps establish the artistic competence for music/ choreography teachers. In addition, this article discovers and evaluates experimental results of music/choreography students based on the surrounding multicultural environment as well as their artistic identity.
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