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Лингвистический анализ грузинского перевода повести Н.В. Гоголя Тарас Бульба

100%

Микадзе М.

2015

tom 15

375-382

Translation, as the act of interlinguistic and cross-cultural communication, is of greatest social importance. This kind of importance has always been in the centre of attention. A lot of different ideas have been expressed in recently published special researches. For some researches the most important point while doing a translation is a good knowledge of literature, for some, on the other hand linguistic methods seem to be valuable. G. Gachechiladze claims that the most important factor of translation is aesthetic values of the original text. We consider both of them are of vital importance. Though they are closely linked with each other they can also be separated. We might face some difficulties while rendering the text from one language into another. Georgian translation in its own way is an original due to its structure and some specific features. The translator should manage to maintain the natural structure of the language and this can only be achieved by preserving the specific grammatical characteristics of the language which seems to be quite difficult. The translator should take into consideration the fact that the language of fiction is based on literary language and when translating it is very important to try to find the emotional equivalents in the target language. "Taras Bulba" by N. Gogol is deservedly considered to be a masterpiece. This short story is the best example of interconnection between the human life and some psychological moments. The reader is under the book’s impression for a long time and that means that it is a valuable work of art. The translator deeply feels the original version of this book and shows his good taste in literature. The translator is not impossible always to have all the readymade materials, phrases and terms, no matter how rich and well-developed the target language is. But it should be mentioned to the translator’s credit that in the translated text the translator uses the natural forms to characterized to the Georgian language. Every translation enriches not only the culture but also the language itself. That’s why in recent years a great attention is drawn to the stylistic analysis of the literary translation. A lot of research works have been dedicated to this matter. That’s the aim of research as well. We consider the translation of "Taras Bulba" to be one of the best translation works ever made and its analysis has confirmed the complexity involved in carrying out this work. In the translation the brilliant knowledge and the adequate use of the expressive festures of the original language are vividly shown.

Поздний Гоголь: все дороги ведут в Рим

59%

Димитров Л. И.

Studia Rossica Gedanensia

2014

nr 1

248-261

The article investigates Gogol’s spiritual orientation in the late period of his life, determined by Eastern Orthodoxy on the one hand and Catholicism on the other. The subject to rethink is his friendship with Pushkin, the departure — «escape» to Rome as an alternative to Petersburg, and the fragment Rome, written in 1842, ending the Petersburg novels, which has its deep logic, but also creates an opportunity to place this very curious work in the whole "Petersburg" text of Russian literature of the nineteenth and twentieth centuries.

В статье рассматривается вопрос о духовной ориентации позднего Гоголя, определенной православием, с одной стороны, и католицизмом – с другой. Подвергается переосмыслению его знакомство с Пушкиным, отъезд — «бегство» в Рим как альтернативу Петербурга, анализируется отрывок Рим, написанный в 1842 году, как завершение Петербургских повестей, в чем есть своя логика, а также как возможность вписать это очень любопытное произведение в целостный «петербургский» текст русской литературы ХІХ и ХХ веков.

W artykule opisano kwestię orientacji duchowej późnego Mikołaja Gogola, wyznaczoną przez prawosławie i katolicyzm. Autor rozważa znajomość Gogola z Aleksandrem Puszkinem, wyjazd - "ucieczkę" do Rzymu jako alternatywę Petersburga, analizuje fragment "Rzym" powstały w 1842 w charakterze zakończenia " Opowiadań petersburskich", posiadających swoistą logikę.